English aristocratic women's religious patronage, 1450-1550: the fabric of piety

The role played by women in the evolution of religious art and architecture has been largely neglected. This study of upper-class women in the fifteenth and sixteenth centuries corrects that oversight, uncovering the active role they undertook in choosing designs, materials, and locations for monume...

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Bibliographic Details
Main Author: Harris, Barbara J. 1942- (Author)
Format: Electronic Book
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Amsterdam Amsterdam University Press [2018]
In:Year: 2018
Reviews:[Rezension von: Harris, Barbara J., English Aristocratic Women and the Fabric of Piety, 1450-1550] (2020) (Kujawa-Holbrook, Sheryl A.)
Series/Journal:Gendering the Late Medieval and Early Modern World
Further subjects:B Church Architecture (England) History 15th century
B Medieval / HISTORY
B religious art (England) History 15th century
B Upper class women (England) History 15th century
B Yorkist and early Tudor aristocratic women
B parish churches
B architecture, 1450-1550
B Women and religion (England) History 15th century
B Female nobility
B Art patronage (England) Religious aspects History 16th century
B Christian art
B Women and religion
B Maecenatism
B Church decoration and ornament (England) History 15th century
B religious art (England) History 16th century
B Church Architecture (England) History 16th century
B Upper class women (England) History 16th century
B Female patronage of architecture
B Church decoration and ornament (England) History 16th century
B Upper class women
B Church painting
B LITERARY CRITICISM / Generals
B Women and religion (England) History 16th century
B female piety
B Church building
B Art patronage (England) Religious aspects History 15th century
Online Access: Cover (Verlag)
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Volltext (Open access)
Volltext (doi)
Volltext (kostenfrei)
Parallel Edition:Erscheint auch als: 9789462985988
Description
Summary:The role played by women in the evolution of religious art and architecture has been largely neglected. This study of upper-class women in the fifteenth and sixteenth centuries corrects that oversight, uncovering the active role they undertook in choosing designs, materials, and locations for monuments, commissioning repairs and additions to many parish churches, chantry chapels, and almshouses characteristic of the English countryside. Their preferred art, Barbara Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.
Format:Mode of access: Internet via World Wide Web.
ISBN:9048537223
Access:Open Access
Persistent identifiers:DOI: 10.1515/9789048537228