Möbian Nights: reading literature and darkness

"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--

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Библиографические подробности
Главный автор: Goodhart, Sandor ca. 20./21. Jh. (Автор)
Формат: Электронный ресурс
Язык:Английский
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Проверить наличие: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: New York Bloomsbury Academic 2017
London Bloomsbury Publishing 2017
В:Год: 2017
Обзоры:[Rezension von: Goodhart, Sandor, ca. 20./21. Jh., Möbian nights : reading literature and darkness] (2019) (Astell, Ann W., 1952 -)
Серии журналов/журналы:Violence, desire, and the sacred 6
Нормированные ключевые слова (последовательности):B Кризис (мотив) (Мотив) / Катастрофа (мотив) (Мотив) / Смерть (мотив) (Мотив) / Литература (мотив) / Психическое осмысление
B Girard, René 1923-2015
Другие ключевые слова:B Crisis in literature
B Death
B Criticism
B Electronic books
B Death in literature
B Disasters in literature
Online-ссылка: Volltext (Resolving-System)
Volltext (Resolving-System)
Parallel Edition:Не электронный вид
Описание
Итог:"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--
"Möbian Nights: Literary Reading in a Time of Crisis develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary "aesthetic" assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works "autobiographically", which is to say, in the wake of disaster; with the credo "I died; therefore, I am"; and for which the language of topology (for example, the "Möbius strip") offers a vocabulary for naming the "deep structure" of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics."--
Machine generated contents note: -- Preface and Acknowledgments Introduction: Möbian Turns: Difference as Continuity -- 1. After The Tragic Vision: Krieger and Criticism, Lentricchia and Crisis -- 2. Disfiguring de Man: Literature, History, and Collaboration -- 3. Witnessing the Impossible: Laub, Felman, and the Trauma of Testimony -- 4. Documenting Fiction: Kolitz, van Beeck, Levinas, and Holocaust Witness -- 5. "And Darkness Upon the Face of the Deep": Counter-Redemptive Hermeneutics in Wiesel, Mauriac, Cayrol, Blanchot, Levinas, and Genesis 1 -- 6. Criticism, Literature, and the Möbian -- 7. Literarary Reading, the Möbian, and the Posthumous -- Conclusion: Versions of Night: Reading Literature and Darkness Bibliography -- Index
Примечание:Includes bibliographical references and index
Объем:1 Online-Ressource (xvi, 329 p)
ISBN:1501326961
Persistent identifiers:DOI: 10.5040/9781501326967