Möbian Nights: reading literature and darkness
"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--
| Autore principale: | |
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| Tipo di documento: | Elettronico Libro |
| Lingua: | Inglese |
| Servizio "Subito": | Ordinare ora. |
| Verificare la disponibilità: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
New York
Bloomsbury Academic
2017
London Bloomsbury Publishing 2017 |
| In: | Anno: 2017 |
| Recensioni: | [Rezension von: Goodhart, Sandor, ca. 20./21. Jh., Möbian nights : reading literature and darkness] (2019) (Astell, Ann W., 1952 -)
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| Periodico/Rivista: | Violence, desire, and the sacred
6 |
| (sequenze di) soggetti normati: | B
Crisi (Motivo)
/ Catastrofe (Motivo)
/ Morte (Motivo)
/ Letteratura
/ Elaborazione psichica
B Girard, René 1923-2015 |
| Altre parole chiave: | B
Crisis in literature
B Death B Criticism B Electronic books B Death in literature B Disasters in literature |
| Accesso online: |
Volltext (Resolving-System) Volltext (Resolving-System) |
| Edizione parallela: | Non elettronico
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| Riepilogo: | "Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"-- "Möbian Nights: Literary Reading in a Time of Crisis develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary "aesthetic" assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works "autobiographically", which is to say, in the wake of disaster; with the credo "I died; therefore, I am"; and for which the language of topology (for example, the "Möbius strip") offers a vocabulary for naming the "deep structure" of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics."-- Machine generated contents note: -- Preface and Acknowledgments Introduction: Möbian Turns: Difference as Continuity -- 1. After The Tragic Vision: Krieger and Criticism, Lentricchia and Crisis -- 2. Disfiguring de Man: Literature, History, and Collaboration -- 3. Witnessing the Impossible: Laub, Felman, and the Trauma of Testimony -- 4. Documenting Fiction: Kolitz, van Beeck, Levinas, and Holocaust Witness -- 5. "And Darkness Upon the Face of the Deep": Counter-Redemptive Hermeneutics in Wiesel, Mauriac, Cayrol, Blanchot, Levinas, and Genesis 1 -- 6. Criticism, Literature, and the Möbian -- 7. Literarary Reading, the Möbian, and the Posthumous -- Conclusion: Versions of Night: Reading Literature and Darkness Bibliography -- Index |
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| Descrizione del documento: | Includes bibliographical references and index |
| Descrizione fisica: | 1 Online-Ressource (xvi, 329 p) |
| ISBN: | 1501326961 |
| Persistent identifiers: | DOI: 10.5040/9781501326967 |
