Immanent Frames: Postsecular Cinema Between Malick and Von Trier

Intro -- Contents -- Illustrations -- Acknowledgments -- What Is Postsecular Cinema? An Introduction -- Notes -- Part I: The Poles of Postsecular Cinema: Malick and von Trier -- 1 Two Ways through Life: Postsecular Visions in Melancholia and The Tree of Life -- Transcendence and Immanence: The Tree...

Full description

Saved in:  
Bibliographic Details
Main Author: Caruana, John (Author)
Contributors: Cauchi, Mark (Other)
Format: Electronic Book
Language:English
Subito Delivery Service: Order now.
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Albany State University of New York Press 2018
In:Year: 2018
Series/Journal:SUNY Series, Horizons of Cinema Ser
Further subjects:B Religion in motion pictures
B Postsecularism and motion pictures
B Motion pictures-Religious aspects
B Electronic books
Online Access: Volltext (lizenzpflichtig)
Parallel Edition:Print version: Caruana, John: Immanent Frames : Postsecular Cinema Between Malick and Von Trier. - Albany : State University of New York Press,c2018. - 9781438470177

MARC

LEADER 00000cam a22000002 4500
001 1024404013
003 DE-627
005 20230103131735.0
007 cr uuu---uuuuu
008 180612s2018 xx |||||o 00| ||eng c
020 |a 9781438470184  |c  : electronic bk.  |9 978-1-4384-7018-4 
020 |z 9781438470177 
035 |a (DE-627)1024404013 
035 |a (DE-599)GBV1024404013 
035 |a (OCoLC)1040033213 
035 |a (EBC)EBC5407069 
035 |a (EBL)EBL5407069 
035 |a (EBR)ebr11569483 
035 |a (EBP)037454390 
040 |a DE-627  |b eng  |c DE-627  |e rda 
041 |a eng 
050 0 |a PN1995.9.R4I66 2018 
082 0 |a 791.43/682 
084 |a 0  |2 ssgn 
100 1 |a Caruana, John  |4 aut 
245 1 0 |a Immanent Frames  |b Postsecular Cinema Between Malick and Von Trier 
264 1 |a Albany  |b State University of New York Press  |c 2018 
300 |a 1 Online-Ressource (308 pages) 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
490 0 |a SUNY Series, Horizons of Cinema Ser 
520 |a Intro -- Contents -- Illustrations -- Acknowledgments -- What Is Postsecular Cinema? An Introduction -- Notes -- Part I: The Poles of Postsecular Cinema: Malick and von Trier -- 1 Two Ways through Life: Postsecular Visions in Melancholia and The Tree of Life -- Transcendence and Immanence: The Tree of Life and Melancholia -- The Way of Transcendence: The Tree of Life -- The Way of Immanence: Melancholia -- The "Affective Sublime" -- Notes -- Bibliography -- 2 Hegel, Malick, and the Postsecular Sublime -- The Hegelian Sublime -- Symbolic Art-Form -- Symbolism of the Sublime -- Art of the Sublime -- Truth and the Sublime -- Art, Religion, and Philosophy -- Contemporary Art of the Sublime -- The Tree of Life -- Fragmented Narrative -- Hermeneutic Sublimation -- The Postsecular Sublime -- Notes -- 3 Repetition and Belief: A Kierkegaardian Reading of Malick's The Tree of Life -- Kierkegaard: The Missing Third in Malick's Philosophical Triad -- Repetition and Belief in Malick's The Tree of Life -- Notes -- 4 Toward and Away from the World: Subjectivity After Loss in The Tree of Life -- Notes -- 5 The Death of God and the Genesis of Worldhood in von Trier's Melancholia -- The End of the Secularist World -- Resurrecting the Death of God -- Creation ex nihilo -- Notes -- 6 Notes on Divine Homelessness: A Reading of Lars von Trier's Dogville -- Theologia ludens -- A (Trick-)Playing God -- A Homeless God -- The Politics of Despair -- Notes -- Bibliography -- Part II: The Spectrum of Postsecular Cinema: Beyond Malick and von Trier -- 7 Face to Face with Chantal Akerman -- Notes -- 8 "There's No Point in Killing a Bad Priest": John Michael McDonagh's Calvary and the Broken Middle -- Introduction -- Film and Religion between Immanence and Transcendence -- The Broken Middle -- Christianity, Mythology, and the Cosmological -- Calvary: A Film Maudit? -- Notes 
520 |a 9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian Invasions -- Introduction -- The Profanation of the Sacred -- Cielo sulla palude: The "Accursed Film" -- The Invasion of the Barbarians -- The Transcendence of Grace -- "The Girl Who Said No" -- The Sacralization of the Profane -- Coda -- Notes -- Bibliography -- 10 Three Immersions: Mouchette, Vagabond, Rosetta -- Notes -- 11 "Put Yourself in My Place": Two Days, One Night and the Journey Back to Life -- "Love Thy Neighbor" -- "Put Yourself in My Place" -- Solidarity, Religiere -- Notes -- Part III: Conversations on Postsecular Cinema: Luc Dardenne and Jean-Luc Nancy -- 12 Can We Think the Inconsolable without Consolation? An Interview with Luc Dardenne -- Notes -- 13 Could It Be that Cinema Itself Is Contemporaneity? A Conversation with Jean-Luc Nancy -- Note -- Contributors -- Index 
650 0 |a Motion pictures-Religious aspects 
650 0 |a Postsecularism and motion pictures 
650 0 |a Religion in motion pictures 
650 4 |a Electronic books 
700 1 |a Cauchi, Mark  |4 oth 
776 1 |z 9781438470177 
776 0 8 |i Print version  |a Caruana, John  |t Immanent Frames : Postsecular Cinema Between Malick and Von Trier  |d Albany : State University of New York Press,c2018  |z 9781438470177 
856 4 0 |u https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5407069  |m X:EBC  |x Aggregator  |z lizenzpflichtig  |3 Volltext 
912 |a ZDB-30-PQE 
951 |a BO 
ELC |a 1 
ORI |a SA-MARC-ixtheo_oa001.raw 
REL |a 1 
SUB |a REL