Immanent frames: postsecular cinema between Malick and von Trier
9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No";...
Contributors: | ; |
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Format: | Electronic Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Published: |
Albany
State University of New York Press
[2018]
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In: | Year: 2018 |
Series/Journal: | The SUNY series, horizons of cinema
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Further subjects: | B
Religion in motion pictures
B Motion Pictures Religious aspects B Motion pictures ; Religious aspects B PERFORMING ARTS ; Reference B Electronic books |
Online Access: |
Volltext (lizenzpflichtig) |
Summary: | 9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No"; The Sacralization of the Profane; Coda; Notes; Bibliography; 10 Three Immersions: Mouchette, Vagabond, Rosetta; Notes; 11 "Put Yourself in My Place": Two Days, One Night and the Journey Back to Life; "Love Thy Neighbor"; "Put Yourself in My Place"; Solidarity, Religiere; Notes Art, Religion, and PhilosophyContemporary Art of the Sublime; The Tree of Life; Fragmented Narrative; Hermeneutic Sublimation; The Postsecular Sublime; Notes; 3 Repetition and Belief: A Kierkegaardian Reading of Malick's The Tree of Life; Kierkegaard: The Missing Third in Malick's Philosophical Triad; Repetition and Belief in Malick's The Tree of Life; Notes; 4 Toward and Away from the World: Subjectivity After Loss in The Tree of Life; Notes; 5 The Death of God and the Genesis of Worldhood in von Trier's Melancholia; The End of the Secularist World; Resurrecting the Death of God Creation ex nihiloNotes; 6 Notes on Divine Homelessness: A Reading of Lars von Trier's Dogville; Theologia ludens; A (Trick-)Playing God; A Homeless God; The Politics of Despair; Notes; Bibliography; Part II: The Spectrum of Postsecular Cinema: Beyond Malick and von Trier; 7 Face to Face with Chantal Akerman; Notes; 8 "There's No Point in Killing a Bad Priest": John Michael McDonagh's Calvary and the Broken Middle; Introduction; Film and Religion between Immanence and Transcendence; The Broken Middle; Christianity, Mythology, and the Cosmological; Calvary: A Film Maudit?; Notes Intro; Contents; Illustrations; Acknowledgments; What Is Postsecular Cinema? An Introduction; Notes; Part I: The Poles of Postsecular Cinema: Malick and von Trier; 1 Two Ways through Life: Postsecular Visions in Melancholia and The Tree of Life; Transcendence and Immanence: The Tree of Life and Melancholia; The Way of Transcendence: The Tree of Life; The Way of Immanence: Melancholia; The "Affective Sublime"; Notes; Bibliography; 2 Hegel, Malick, and the Postsecular Sublime; The Hegelian Sublime; Symbolic Art-Form; Symbolism of the Sublime; Art of the Sublime; Truth and the Sublime Part III: Conversations on Postsecular Cinema: Luc Dardenne and Jean-Luc Nancy12 Can We Think the Inconsolable without Consolation? An Interview with Luc Dardenne; Notes; 13 Could It Be that Cinema Itself Is Contemporaneity? A Conversation with Jean-Luc Nancy; Note; Contributors; Index |
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Item Description: | Includes bibliographical references and index |
Physical Description: | 1 Online-Ressource (xii, 293 pages) |
ISBN: | 1438470185 |