Opening and Closing with Qohelet: The Late Work of Yehuda Amichai: A Discussion of Patuaḥ Sagur Patuaḥ (Open Closed Open)
Many critics have noted the densely wrought structure in Patuaḥ Sagur Patuaḥ , and have called attention to its rich inter-textual allusions and use of refrains and key words. (One thinks of Kronfeld, Bloch, Arpali, Alter, Band, and Gold.) But the major articles have not fully treated the heavy burd...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
The National Association of Professors of Hebrew
2010
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| In: |
Hebrew studies
Year: 2010, Volume: 51, Issue: 1, Pages: 175-201 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
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| 100 | 1 | |a Berk, Eric |e VerfasserIn |4 aut | |
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| 520 | |a Many critics have noted the densely wrought structure in Patuaḥ Sagur Patuaḥ , and have called attention to its rich inter-textual allusions and use of refrains and key words. (One thinks of Kronfeld, Bloch, Arpali, Alter, Band, and Gold.) But the major articles have not fully treated the heavy burden of association to the book of Ecclesiastes, Qohelet. In Patuaḥ Sagur Patuaḥ , Amichai created a multi-layered foundation in classic sources which serves as an underpinning to the overall autumnal stance and skeptic’s vision of the 300 poem-units. In addition to the specific Qohelet allusions, there are nearly one hundred more elusive associations that emerge once the reader accepts the importance of the boldly etched references to Qohelet. The authors argue that, once Qohelet becomes the dominant metaphoric “trope,” other more transient and innocent associations to the biblical scroll take on greater significance. While resisting a glib “allegoresis” (a tendency to see Qohelet in every possible space), the fact is that the Solomonic wise preacher lies in wait in a surprising number of corners of this extraordinary and weighty collection. | ||
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