Goodbye Christ?: Christianity, masculinity, and the new Negro Renaissance
"This book discusses the role of religion, or more specifically the shunning of a predominant white view of religion for a more independent black religious voice, in the writings of authors active during the Harlem Renaissance. Powers discusses the work of Du Bois, Hurston, Larsen, Toomer, and...
| Auteur principal: | |
|---|---|
| Type de support: | Imprimé Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Knoxville
The University of Tennessee Press
[2018]
|
| Dans: | Année: 2018 |
| Édition: | First edition |
| Sujets / Chaînes de mots-clés standardisés: | B
USA
/ Noirs
/ Littérature
/ Renaissance de Harlem
/ Christianisme (Motif)
/ Relations ethniques (Motif)
/ Identité ethnique (Motif)
/ Masculinité (Motif)
/ Histoire 1920-1930
|
| Sujets non-standardisés: | B
Masculinity in literature
B American fiction African American authors History and criticism B Religion in literature B American fiction 20th century History and criticism B Christianity and literature (United States) History 20th century B Christianity in literature B Harlem Renaissance B Race relations in literature B African Americans Religion B Religion and literature (United States) History 20th century |
MARC
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| 109 | |a Powers, Peter Kerry 1959- | ||
| 245 | 1 | 0 | |a Goodbye Christ? |b Christianity, masculinity, and the new Negro Renaissance |c Peter Kerry Powers |
| 250 | |a First edition | ||
| 264 | 1 | |a Knoxville |b The University of Tennessee Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
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| 500 | |a Literaturverzeichnis: Seite 219-231 | ||
| 520 | |a "This book discusses the role of religion, or more specifically the shunning of a predominant white view of religion for a more independent black religious voice, in the writings of authors active during the Harlem Renaissance. Powers discusses the work of Du Bois, Hurston, Larsen, Toomer, and others and contends that religious contexts shaped the rhetoric and imagination of African American writers during the Harlem Renaissance, and, to a degree, dispelled previous religious notions of masculinity for a more secular view" -- | ||
| 520 | |a Introduction. Intimate Distance-Faith and Doubts of the Cultural Fathers -- Chapter 1. "Old as Religion, as Delphi and Endor": Secular Patrimony in Souls of Black Folk -- Chapter 2. "He Didn't Come to Help Me": Folk Paternity and Failed Conversions in Langston Hughes -- Chapter 3. "Artificial Men": Anti-intellectualism, Christianity, and Cultural Leadership -- Chapter 4. "Leave All That Littleness and Look Higher": The Educated Man as Hero and Martyr -- Chapter 5. "That Good Man, That Godly Man": Abusive Ministers and Educated Lovers in Oscar Micheaux and Nella Larsen -- Chapter 6. "A Polished Man of Strength and Power": Race, Body, and Spirit in the Harlem Renaissance -- Chapter 7. "The Singing Man Who Must Be Reckoned With": Private Desire and Public Responsibility in the Poetry of Countee Cullen -- Chapter 8. "Gods of Physical Violence, Stopping at Nothing": Masculinity, Physicality, and Creativity in Zora Neale Hurston -- Conclusion. Goodbye Christ? Christianity and African American Literary History | ||
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