Dance To My Ministry: Exploring Hip-Hop Spirituality

Angaben zur beteiligten Person Opsahl: Carl Petter Opsahl, Ph.D., is Street Pastor at City Mission of Oslo and Professional musician.

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Bibliographic Details
Main Author: Opsahl, Carl Petter (Author)
Contributors: Heimbrock, Hans-Günter (Other) ; Wyller, Trygve 1950- (Other) ; Knauß, Stefanie 1976- (Other) ; Sander, Hans-Joachim (Other) ; Pezzoli-Olgiati, Daria 1966- (Other) ; Kreinath, Jens 1967- (Other)
Format: Electronic Book
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Göttingen Vandenhoeck & Ruprecht 2016
In:Year: 2016
Edition:1. Aufl.
Series/Journal:Research in Contemporary Religion (RCR). Band 019
IxTheo Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
CB Christian life; spirituality
Further subjects:B History of music
B Spirituality
B Science of Religion
Online Access: Cover
Presumably Free Access
Volltext (Verlag)

MARC

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520 |a Angaben zur beteiligten Person Opsahl: Carl Petter Opsahl, Ph.D., is Street Pastor at City Mission of Oslo and Professional musician. 
520 |a Angaben zur beteiligten Person Heimbrock: Dr. päd. Hans-Günter Heimbrock ist Professor für Praktische Theologie am Fachbereich Evangelische Theologie der J. W. Goethe Universität Frankfurt a. M. 
520 |a Angaben zur beteiligten Person Wyller: Dr. theol. Trygve Wyller ist Professor für Praktische Theologie/Religionspädagogik an der Universität Oslo. 
520 |a Angaben zur beteiligten Person Knauss: Dr. Stefanie Knauss ist zur Zeit Assistant Professor für Theologie an der Villanova University (USA). 
520 |a Angaben zur beteiligten Person Sander: Dr. Hans-Joachim Sander ist Professor für Dogmatik an der Universität Salzburg. 
520 |a Angaben zur beteiligten Person Pezzoli-Olgiati: Prof. Dr. Daria Pezzoli-Olgiati leitet das Zentrum für Religion, Wirtschaft und Politik (ZRWP) der Universitäten Basel, Lausanne, Luzern und Zürich. 
520 |a Hip-hop is a deeply spiritual culture, a culture that since its beginnings has provided urban youth all over the world with a sense of place, being and direction, with knowledge of self and knowledge of cultural heritage. By examining a number of rap tunes and graffiti walls, Carl Petter Opsahl explores different spiritualities and religious traditions informing hip-hop culture, including, Christianity, Nation of Islam, Nation of Gods and Earths and indigenous spiritualities. By developing a theoretical framework of hybrid spirituality, Opsahl outlines spiritual strategies of survival and resistance in contexts of oppression and struggle.He provides basic introductions to recent research on spirituality, to hip-hop culture and its esthetic practices and to Islam in the USA and the teachings of Nation of Islam and Nation of Gods and Earths. Then follow in-depth analyzes of hip-hop cultural expressions. One chapter is devoted to the study of graffiti murals, exploring artworks by some of New York’s finest writers such as TATS CRU, TRACY 168, TOO FLY and QUEEN ANDREA. Then follows a chapter on rap and Christianity, featuring explorations of Lauryn Hill, 2Pac and a number of Christian rappers including G.R.I.T.S. Another chapter explores Islamic influences on rap, with studies on Public Enemy, Wu-Tang Clan, Erykah Badu and Mos Def.Embedded in rhythms, rhymes, colors and shapes, the exploration of hip hop spirituality expands the horizon of studies in spirituality. 
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