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|a Friesen, Courtney J. P.
|4 aut
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|a Reading Dionysus
|b Euripides' Bacchae and the Cultural Contestations of Greeks, Jews, Romans, and Christians
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|a Tübingen
|b Mohr Siebeck
|c 2015
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|a Online-Ressource (344 p)
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|a Studien und Texte zu Antike und Christentum / Studies and Texts in Antiquity and Christianity
|v v.95
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| 500 |
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|a Description based upon print version of record
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|a Cover -- Preface -- Table of Contents -- Note on Abbreviations and Translations -- Introduction -- Part I - Preliminaries: Themes and Trajectories -- Chapter 1 - Characterizing an Uncharacteristic God -- 1.1 Maenadism and Other Forms of Madness -- 1.2 Liberation in Life and Death -- 1.3 Religious Violence and Imperial Conquest -- 1.4 Dionysus between Religious Liberty and Political Authority in Alexandria and Rome -- 1.5 Dionysus and the Jews: Conflicts and Conflations -- 1.6 Dionysus and the Christians: Sharing Sacred Wine -- 1.7 Conclusions -- Chapter 2 - Tragic Texts and Contexts
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|a 2.1 The Theater and Its God -- 2.2 Tragedy as Political Discourse from Polis to Empire -- 2.3 The Theater among Jews and Christians: Patterns of Resistance and Ambivalence -- 2.4 Tragic Imitations: Jewish and Christian Experiments with Exodus and Passion -- 2.5 Conclusions -- Chapter 3 - Reading Euripides' Bacchae: Some Meanings and Effects -- 3.1 The Bacchae as Metatragedy: Theorizing a Stranger's Identity -- 3.1.1 A Divine Disguise -- 3.1.2 Pentheus as Spectator -- 3.2 Religious Reversals: Problematizing Myth and Ritual -- 3.2.1 Dionysiac Lusis
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|a 3.2.2 The Divine Madness of Maenads and Prophets -- 3.2.3 Violence and Sacrifice -- 3.3 Foreign as Indigenous: Introducing "New" Gods and Constructing Others -- 3.4 Conclusions -- Chapter 4 - Textual Sparagmoi: Receiving Euripides' Bacchae -- 4.1 Reception and Dialogues of Difference -- 4.2 Receiving Euripides: Cultural and Ideological Factors -- 4.3 The Bacchae's Ancient Audience -- 4.4 Theoretical and Methodological Issues in Reception -- 4.5 Conclusions -- Part II - Identifying with Dionysus: Effects of Imperial Self-Representation
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|a Chapter 5 - Dionysus as a Ptolemaic Gentleman in Theocritus, Idyll 26 -- 5.1 Ptolemy II Philadelphus: Patron of Dionysus and the Theater -- 5.2 Theocritus: The Poet and His Patron -- 5.3 Idyll 26: Euripides' Bacchae Revisited or Revised? -- 5.4 Theocritean Maenads as Imperial Subjects -- 5.5 Conclusions -- Chapter 6 - Philo's Legatio ad Gaium: Imitating Dionysus and (En)acting Tragedy -- 6.1 Being Jewish and Greek in Roman Alexandria -- 6.2 Dionysus: A Benevolent or Vindictive God? -- 6.3 Gaius as Tragic Actor -- 6.4 Conclusions -- Part III - Resisting Death: Ambivalence and Afterlife
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|a Chapter 7 - Bacchus as Tragic Hero and Stoic Sage in Horace, Epistles 1.16 -- 7.1 Dionysus at Rome -- 7.2 Euripides' Bacchae on the Roman Stage and in Imperial Epic -- 7.3 Horace: The Poet, the Emperor, and Bacchus -- 7.4 Horace's Epistles Book 1: Beyond Rome -- 7.5 From Cithaeron to Sabine Estate: Changing Dramatic Identities in Epistles 1.16 -- 7.6 The Bacchae and Ritual Death from the Gold Tablets to Plutarch and Epictetus -- 7.7 Conclusions -- Chapter 8 - Clement of Alexandria on Pleasure and Dying with Euripides' Bacchae -- 8.1 Clement and the Appropriation of Paideia
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|a 8.2 Dangerous Pleasures: Poetry and Dionysus
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| 601 |
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|a Euripides
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| 655 |
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|a Electronic books
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|a Friesen, Courtney J. P
|t Reading Dionysus : Euripides' Bacchae and the Cultural Contestations of Greeks, Jews, Romans, and Christians
|d Tübingen : Mohr Siebeck,c2015
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|a Förster, Hans, 1969 -
|t [Rezension von: Friesen, Courtney J. P., 1979-, Reading Dionysus : Euripides' Bacchae and the cultural contestations of Greeks, Jews, Romans, and Christians]
|d 2017
|w (DE-627)1776291662
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|a Nesselrath, Heinz-Günther, 1957 -
|t [Rezension von: Friesen, Courtney J. P., 1979-, Reading Dionysus : Euripides' Bacchae and the cultural contestations of Greeks, Jews, Romans, and Christians]
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