An aural-performance analysis of revelation 1 and 11
Cover -- Contents -- Editor's Preface -- Preface -- Abbreviations -- Introduction and Procedure -- Chapter One: Literature Review and Methodology -- Introduction -- Literature Review -- Oral-Biblical Criticism and Oral Patterning -- Biblical Performance Criticism -- Sound Mapping -- Auditory Ne...
MARC
| LEADER | 00000cam a22000002 4500 | ||
|---|---|---|---|
| 001 | 83578357X | ||
| 003 | DE-627 | ||
| 005 | 20240301183308.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 150929s2015 xxu|||||o 00| ||eng c | ||
| 020 | |a 9781453915424 |c e-book |9 978-1-4539-1542-4 | ||
| 035 | |a (DE-627)83578357X | ||
| 035 | |a (DE-576)9835783578 | ||
| 035 | |a (DE-599)GBV83578357X | ||
| 035 | |a (EBC)EBC3565153 | ||
| 035 | |a (EBR)ebr11090195 | ||
| 035 | |a (RPAM)MIL821721 | ||
| 035 | |a (EBL)EBL3565153 | ||
| 035 | |a (EBP)034038310 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 044 | |c XD-US | ||
| 050 | 0 | |a BS2825.52 | |
| 082 | 0 | |a 228/.06 |2 23 | |
| 084 | |a 1 |2 ssgn | ||
| 084 | |a 11.46 |2 bkl | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1076014437 |0 (DE-627)834077485 |0 (DE-576)444787054 |4 aut |a De Waal, Kayle B. |d 1971- | |
| 109 | |a De Waal, Kayle B. 1971- |a De Waal, Kayle 1971- |a Waal, Kayle B. de 1971- |a Waal, Kayle de 1971- | ||
| 245 | 1 | 3 | |a An aural-performance analysis of revelation 1 and 11 |c Kayle B. de Waal |
| 264 | 1 | |a New York |b Peter Lang Publishing |c [2015] | |
| 300 | |a Online-Ressource | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studies in biblical literature |v Vol. 163 | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a ""Cover""; ""Contents""; ""Editor's Preface""; ""Preface""; ""Abbreviations""; ""Introduction and Procedure""; ""Chapter One: Literature Review and Methodology""; ""Introduction""; ""Literature Review""; ""Oral-Biblical Criticism and Oral Patterning""; ""Biblical Performance Criticism""; ""Sound Mapping""; ""Auditory NeuroScience""; ""The Auditory Process""; ""Methodology: An Aural-Performance Analysis""; ""Chapter Two: The Authorial Audience and the Culture in John's World""; ""Introduction""; ""A Brief Introduction to the Hearing Community in Revelation"" |
| 505 | 8 | 0 | |a ""An Audience-Oriented Approach""""Audience Constructs""; ""The Informed Audience""; ""The Minimal Audience""; ""The Competent Audience""; ""Audience Markers""; ""The Communicative Environment: A Rhetorical Culture""; ""The Oral-Auricular Setting""; ""Reader Recognition""; ""Chapter Three: Ancient Performances and the Audience""; ""Introduction""; ""The Signficance of Oral Performance""; ""The Influence of Greek Drama""; ""Revelation's Liturgical Setting""; ""The Role of the Prophet-Performer""; ""The Role of Gesture""; ""Chapter Four: Aurality in the Ancient Literature""; ""Introduction"" |
| 505 | 8 | 0 | |a ""The Importance of Hearing and Repetition""""Hearing the Gospel of Mark""; ""Hearing in Luke-Acts""; ""Hearing the Gospel of John""; ""Hearing Jewish Apocalyptic Literature""; ""The Apocalypse of Abraham""; ""Sound Map of ""Apocalypse Abraham"" 20""; ""2 Baruch""; ""Hearing the Book of Revelation""; ""Conclusion""; ""Chapter Five: An Aural-Performance Analysis of Revelation 1:1-21""; ""Introduction""; ""Sound Map of Revelation 1:1-20""; ""Performance Translation""; ""Word and Aural Analysis""; ""Aural-Performance Commentary""; ""To the Seven Churches""; ""Coming with the Clouds"" |
| 505 | 8 | 0 | |a ""The Prophet-Performer, the Author, Authority and Character""""The Day of the Visions""; ""The "One like the Son of Man"""; ""The Resurrected One""; ""The Significance of Numbers""; ""Conclusion""; ""Chapter Six: An Aural-Performance Analysis of Rev. 11:1-19""; ""Introduction""; ""Sound Map of Rev. 11:1-19""; ""Performance Translation""; ""Word and Aural Analysis""; ""Aural-Performance Commentary""; ""The Two Witnesses ""; ""The Beast and the City""; ""The Seventh Trumpet""; ""Conclusion""; ""Chapter Seven: Summary and Implications of This Study""; ""Introduction""; ""Summary"" |
| 505 | 8 | 0 | |a ""Aurality and Collective Identity""""Aural-Performance, Narrative and Collective Memory""; ""Performance as a Social Act""; ""Re-hearing Revelation""; ""Notes""; ""Bibliography""; ""Select Index of Authors""; ""Select Subject Index"" |
| 520 | |a Cover -- Contents -- Editor's Preface -- Preface -- Abbreviations -- Introduction and Procedure -- Chapter One: Literature Review and Methodology -- Introduction -- Literature Review -- Oral-Biblical Criticism and Oral Patterning -- Biblical Performance Criticism -- Sound Mapping -- Auditory NeuroScience -- The Auditory Process -- Methodology: An Aural-Performance Analysis -- Chapter Two: The Authorial Audience and the Culture in John's World -- Introduction -- A Brief Introduction to the Hearing Community in Revelation -- An Audience-Oriented Approach -- Audience Constructs -- The Informed Audience -- The Minimal Audience -- The Competent Audience -- Audience Markers -- The Communicative Environment: A Rhetorical Culture -- The Oral-Auricular Setting -- Reader Recognition -- Chapter Three: Ancient Performances and the Audience -- Introduction -- The Signficance of Oral Performance -- The Influence of Greek Drama -- Revelation's Liturgical Setting -- The Role of the Prophet-Performer -- The Role of Gesture -- Chapter Four: Aurality in the Ancient Literature -- Introduction -- The Importance of Hearing and Repetition -- Hearing the Gospel of Mark -- Hearing in Luke-Acts -- Hearing the Gospel of John -- Hearing Jewish Apocalyptic Literature -- The Apocalypse of Abraham -- Sound Map of "Apocalypse Abraham" 20 -- 2 Baruch -- Hearing the Book of Revelation -- Conclusion -- Chapter Five: An Aural-Performance Analysis of Revelation 1:1-21 -- Introduction -- Sound Map of Revelation 1:1-20 -- Performance Translation -- Word and Aural Analysis -- Aural-Performance Commentary -- To the Seven Churches -- Coming with the Clouds -- The Prophet-Performer, the Author, Authority and Character -- The Day of the Visions -- The "One like the Son of Man" -- The Resurrected One -- The Significance of Numbers -- Conclusion | ||
| 520 | |a Chapter Six: An Aural-Performance Analysis of Rev. 11:1-19 -- Introduction -- Sound Map of Rev. 11:1-19 -- Performance Translation -- Word and Aural Analysis -- Aural-Performance Commentary -- The Two Witnesses -- The Beast and the City -- The Seventh Trumpet -- Conclusion -- Chapter Seven: Summary and Implications of This Study -- Introduction -- Summary -- Aurality and Collective Identity -- Aural-Performance, Narrative and Collective Memory -- Performance as a Social Act -- Re-hearing Revelation -- Notes -- Bibliography -- Select Index of Authors -- Select Subject Index | ||
| 533 | |a Online-Ausg. | ||
| 630 | 2 | 0 | |a Bible |p Revelation, I |x Criticism, interpretation, etc |
| 630 | 2 | 0 | |a Bible |p Revelation, XI |x Criticism, interpretation, etc |
| 650 | 0 | |a Performance |x Religious aspects |x Christianity | |
| 650 | 0 | |a Oral Tradition | |
| 650 | 4 | |a Bible ; Revelation, I ; Criticism, interpretation, etc | |
| 650 | 4 | |a Bible ; Revelation, XI ; Criticism, interpretation, etc | |
| 650 | 4 | |a Oral Tradition | |
| 650 | 4 | |a Performance ; Religious aspects ; Christianity | |
| 650 | 4 | |a Electronic books | |
| 652 | |a HC |b DDCoderRVK | ||
| 689 | 0 | 0 | |d u |0 (DE-588)1069994510 |0 (DE-627)823752380 |0 (DE-576)429666136 |a Bibel |2 gnd |p Offenbarung des Johannes |n 1 |
| 689 | 0 | 1 | |d u |0 (DE-588)1029536570 |0 (DE-627)733735576 |0 (DE-576)377397768 |a Bibel |2 gnd |p Offenbarung des Johannes |n 11 |
| 689 | 0 | 2 | |d s |0 (DE-588)4139839-7 |0 (DE-627)104615699 |0 (DE-576)209697733 |2 gnd |a Hörer |
| 689 | 0 | 3 | |d s |0 (DE-588)4062115-7 |0 (DE-627)10445198X |0 (DE-576)209142537 |2 gnd |a Urchristentum |
| 689 | 0 | 4 | |d s |0 (DE-588)1041938012 |0 (DE-627)768030056 |0 (DE-576)393593959 |2 gnd |a Mündlichkeit |
| 689 | 0 | 5 | |d s |0 (DE-588)4200241-2 |0 (DE-627)10517517X |0 (DE-576)210134100 |2 gnd |a Sozialgeschichtliche Exegese |
| 689 | 0 | |5 DE-101 | |
| 776 | 1 | |z 1453915427 | |
| 776 | 1 | |z 1433130033 | |
| 776 | 1 | |z 9781453915424 | |
| 776 | 1 | |z 9781433130038 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a De Waal, Kayle B., 1971 - |t An aural-performance analysis of revelation 1 and 11 |d New York, NY : Lang, 2015 |h XVIII, 210 Seiten |w (DE-627)1625467524 |w (DE-576)488862434 |z 9781433130038 |k Non-Electronic |
| 787 | 0 | 8 | |i Rezensiert in |a Low, U-Wen |t [Rezension von: De Waal, Kayle B., 1971-, An aural-performance analysis of revelation 1 and 11] |d 2020 |w (DE-627)1734660538 |
| 856 | 4 | 0 | |u http://gbv.eblib.com/patron/FullRecord.aspx?p=3565153 |x Verlag |3 Volltext |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=3565153 |m X:EBC |x Aggregator |z lizenzpflichtig |3 Volltext |
| 912 | |a ZDB-30-PQE | ||
| 935 | |a BIIN | ||
| 936 | b | k | |a 11.46 |j Exegese |j Hermeneutik |x Neues Testament |q SEPA |0 (DE-627)106417975 |
| 951 | |a BO | ||
| BIB | |a 1 | ||
| BIR | |a 27001000_27001999,27011000_27011999 |b biblesearch | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4318066967 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 83578357X | ||
| LOK | |0 005 20230504192330 | ||
| LOK | |0 008 230504||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
| LOK | |0 852 |a DE-Tue135-1 | ||
| LOK | |0 852 1 |m p |9 00 | ||
| LOK | |0 935 |a inmo | ||
| LOK | |0 938 |k p | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
| STA | 0 | 0 | |a Hearer,Listener,Orality,Performance,Primitive Christianity,Early Christianity,Early Church,Urchristentum,Urgemeinde,Socio-historical exegesis |
| STB | 0 | 0 | |a Auditeur,Exégèse sociohistorique,Oralité,Paléochristianisme,Christianisme des origines,Christianisme des origines,Performance |
| STC | 0 | 0 | |a Cristianismo de las orígenes,Exegesis histórico-social,Oralidad,Oyente,Performance |
| STD | 0 | 0 | |a Ascoltatore,Cristianesimo delle origini,Protocristianesimo,Protocristianesimo,Esegesi storico-sociale,Oralità,Performance |
| STE | 0 | 0 | |a 原始基督教,早期基督教,听讲者,听众,社会–历史释经法,行为艺术 |
| STF | 0 | 0 | |a 原始基督教,早期基督教,社會–歷史釋經法,聽講者,聽眾,行為藝術 |
| STG | 0 | 0 | |a Cristianismo das origens,Exegese histórico-social,Oralidade,Ouvinte,Performance |
| STH | 0 | 0 | |a Перформанс (искусство),Раннее христианство,Слушатель,Социально-историческая экзегеза,Устность |
| STI | 0 | 0 | |a Ακροατής,Κοινωνικο-ιστορική ερμηνεία,Παράσταση (τέχνες),Προφορικότητα,Πρώιμος Χριστιανισμός,Πρωτοχριστιανισμός |
| SUB | |a BIB | ||
| SYE | 0 | 0 | |a Performance |
| SYG | 0 | 0 | |a Zuhörer , Kirchengeschichte 30-100,Urgemeinde,Urkirche , Oralität , Sozialwissenschaftliche Exegese |
| TIM | |a 100000300101_100001001231 |b Kirchengeschichte 30-100 | ||