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|a Maier, Harry O.
|4 aut
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|a Picturing Paul in Empire
|b Imperial Image, Text and Persuasion in Colossians, Ephesians and the Pastoral Epistles
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|a London
|b Bloomsbury Publishing
|c 2013
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| 300 |
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|a Online-Ressource (290 p)
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|a FC; Half title; Title; Copyright; Dedication; Contents; Acknowledgements; Abbreviations; Primary Sources; Greek and Latin; Jewish; Christian; Secondary Sources; Lists of Figures and Plates; Figures; Plates; Introduction: Picturing Paul; The Visual Culture of the Roman Empire; The Figure and the Idea; Empire and Imperial Situation in Colossians, Ephesians and the Pastoral Epistles; Exegesis, Imperial Image and Imagination; Ekphrasis; Playing Paul; 1Paul: Making Do in the Roman Empire; Paul and Entangled History; Strategies, Tactics and Making DoStrategies, Tactics and Making Do
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|a Powers of HorrorCarnivalesque Apotheosis and Citizenship; Endings; The Death for Others; Reversals; 2Colossians: Not Barbarian or Scythian, Christ All in All; Letter from a Roman Jail; Victory in the Heavens; Cosmic Harmony; Fertility and Abundance; Cosmopolitanism with Love; 3 Ephesians: The Uncanny Fluency of Another's Language; In Search of a Life Setting; Ambassador in Chains; Ephesian Homonoia: One Lord, One Faith, One Baptism; The Wall of Hostility; Paci orbis terrarum augustae; Ephesians as Thirdspace; 4 The Pastoral Epistles: Practices of Empire; Bürgerliches Christentum?
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|a Paul's Imperial CloakAthletes and Soldiers; An Imperial Epiphany and Adventus; Our Great God and Saviour Jesus Christ; Pictures of Harmony; Portraits of Discord; Family Portraits; 'Women Who Stray After Satan'?; Practices of Empire; Epilogue: Constantine's Triumph; Santa Pudenziana and the Crowned Apostle; Looking Underground; Bibliography; Index of Biblical and Ancient Sources; Index of Subjects; Index of Names
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|a Pauline Christianity sprang to life in a world of imperial imagery. In the streets and at the thoroughfares, in the market places and on its public buildings and monuments, and especially on its coins the Roman Empire's imperial iconographers displayed imagery that aimed to persuade the Empire's diverse and mostly illiterate inhabitants that Rome had a divinely appointed right to rule the world and to be honoured and celebrated for its dominion. Harry O. Maier places the later, often contested, letters and theology associated with Paul in the social and political context of the Roman Empire's
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|a Picturing Paul in Empire : Imperial Image, Text and Persuasion in Colossians, Ephesians and the Pastoral Epistles
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| 787 |
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|a Rollens, Sarah E., 1984 -
|t [Rezension von: Maier, Harry O., 1959-, Picturing Paul in Empire]
|d 2016
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