Trinity of discord: the hymnal and poetic innocations of Isaac Watts, Charles Wesley, and William Cowper
Includes bibliographical references
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York
Peter Lang
2012
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| In: | Year: 2012 |
| Reviews: | Frederick Quinn, Welcoming the Interfaith Future: Religious Pluralism in a Global Age (New York: Peter Lang, 2012), ISBN 978-1-4331-1940-8 (2014) (Kujawa-Holbrook, Sheryl A.)
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| Further subjects: | B
Electronic books
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| Online Access: |
Inhaltstext (Verlag) Volltext (Aggregator) |
| Parallel Edition: | Erscheint auch als: Trinity of Discord : The Hymnal and Poetic Innovations of Isaac Watts, Charles Wesley, and William Cowper: |
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| 100 | 1 | |a Arnold, Richard |4 aut | |
| 109 | |a Arnold, Richard | ||
| 245 | 1 | 0 | |a Trinity of discord |b the hymnal and poetic innocations of Isaac Watts, Charles Wesley, and William Cowper |c Richard Arnold |
| 264 | 1 | |a New York |b Peter Lang |c 2012 | |
| 300 | |a x, 162 p | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
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| 500 | |a Description based upon print version of record | ||
| 505 | 8 | 0 | |a Table of Contents; Preface vii; Acknowledgments xi; Chapter One. "Controversie of Singing": Historical Sketchof the English Hymn to 1707 1; Chapter Two. "Sight Thro' a Glass": Isaac Watts 29; Chapter Three. "I See Thee Face to Face": Charles Wesley 61; Chapter Four. "The Hidden Life" of Hymnody: William Cowper 93; Chapter Five. Paradox of Contemporary Response:Critical Reaction, Artistic Influence 133; Bibliography of Primary Textual Sources 161; |
| 505 | 8 | 0 | |a historical sketch of the English hymn to 1707 -- "Sight thro' a glass" : Isaac Watts -- "I see Thee face to face" : Charles Wesley -- "The hidden life" of hymnody : William Cowper -- Paradox of contemporary response : critical reaction, artistic influence |
| 520 | |a Includes bibliographical references | ||
| 520 | |a The three writers examined in Richard Arnold's Trinity of Discord, Isaac Watts, Charles Wesley, and William Cowper, are known as famous poets, but are also the greatest and most popularly compiled and used hymn-writers of all time. While masters of their kind, they were so remarkably different, considering they were working in the same (and quite new) genre. Moreover, when considered in their poetic-historical contexts, it is noteworthy that Watts can be seen as an archetypal Neoclassicist (not unlike Pope and Johnson), Wesley as a transitional pre-Romantic (not unlike Gray and Collins), and C | ||
| 530 | |a Available via World Wide Web | ||
| 533 | |a Online-Ausg. |d 2011 |n Available via World Wide Web |7 |2011|||||||||| | ||
| 601 | |a Watts, Isaac | ||
| 601 | |a Williams, A. N. | ||
| 655 | 0 | |a Electronic books | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Trinity of Discord : The Hymnal and Poetic Innovations of Isaac Watts, Charles Wesley, and William Cowper |
| 787 | 0 | 8 | |i Rezensiert in |a Kujawa-Holbrook, Sheryl A. |t Frederick Quinn, Welcoming the Interfaith Future: Religious Pluralism in a Global Age (New York: Peter Lang, 2012), ISBN 978-1-4331-1940-8 |d 2014 |w (DE-627)1784802859 |
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