Becoming Venetian: immigrants and the arts in early modern Venice

Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided...

Descripción completa

Guardado en:  
Detalles Bibliográficos
Autor principal: De Maria, Blake 1964- (Autor)
Tipo de documento: Print Libro
Lenguaje:Inglés
Italiano
Servicio de pedido Subito: Pedir ahora.
Verificar disponibilidad: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: New Haven London Yale Univ. Press 2010
En:Año: 2010
Críticas:[Rezension von: Maria, Blake de, Becoming Venetian: Immigrants and the Arts in Early Modern Venice] (2012) (Frakes, Jerold C.)
(Cadenas de) Palabra clave estándar:B Venedig / Inmigración / Artista / Arte / Historia 1420-1600
Otras palabras clave:B Venice (Italy) Social conditions 16th century
B Colección de artículos
B Immigrants (Italy) (Venice) Social conditions 16th century
B Art and society (Italy) (Venice) History 16th century
Acceso en línea: Table of Contents (Publisher)
Descripción
Sumario:Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided they met certain requirements. As newcomers to the city, immigrant merchant families had to acquire the material commodities necessary for everyday life. De Maria investigates important aspects of the artistic, commercial and familial activities of naturalised citizen families. Much of the documentation concerning their commercial interests, real estate development, household management, chapel decoration and confraternity affiliations has not previously been published, allowing this study to expand both the context and the interpretation of Venetian painting and architecture of the highest calibre, including the commissions to Titian, Tintoretto and Veronese
Notas:Includes bibliographical references and index
Descripción Física:XI, 288 S, zahlr. Ill., graph. Darst
ISBN:030014881X