Space, time, and presence in the icon: seeing the world with the eyes of God
| Main Author: | |
|---|---|
| Contributors: | |
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
Farnham [u.a.]
Ashgate
2010
|
| In: | Year: 2010 |
| Series/Journal: | Ashgate studies in theology, imagination and the arts
|
| Standardized Subjects / Keyword chains: | B
Byzantinismus
/ Christian art
/ Presence of God
/ Space-time (Motif)
/ Iconography
/ Abstraction
|
| Further subjects: | B
Space and time Religious aspects Christianity
B Perspective B Space and time in art B Icons, Byzantine B Icons B God (Christianity) Eternity B Thesis B Florenskiĭ, P. A (Pavel Aleksandrovich), 1882-1937 |
| Online Access: |
Table of Contents (Publisher) Blurb (Publisher) |
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| 109 | |a Antonova, Clemena 1970- | ||
| 245 | 1 | 0 | |a Space, time, and presence in the icon |b seeing the world with the eyes of God |c Clemena Antonova. With a preface by Martin Kemp |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2010 | |
| 300 | |a XII, 193 S. |b Ill., graph. Darst. |c 25 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate studies in theology, imagination and the arts | |
| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 500 | |a Includes bibliogr. references and index | ||
| 502 | |a Teilw. zugl.: Oxford, Univ., Diss., 2006 | ||
| 505 | 8 | |a The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. | |
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| 650 | 0 | |a Perspective | |
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| 653 | |a Florenskiĭ, P. A |a (Pavel Aleksandrovich), 1882-1937 | ||
| 653 | |a Space and time in art | ||
| 653 | |a Space and time |a Religious aspects |a Christianity | ||
| 653 | |a Icons, Byzantine | ||
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| STC | 0 | 0 | |a Abstracción,Arte sacra cristiana,Simbolismo cristiano,Iconografía,Presencia divina |
| STD | 0 | 0 | |a Arte cristiana,Astrazione,Iconografia,Presenza di Dio |
| STE | 0 | 0 | |a 圣像学,基督教艺术,抽象化,神的临在,上帝的临在,神的同在 |
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| STG | 0 | 0 | |a Abstração,Arte sacra cristã,Iconografia,Presença divina |
| STH | 0 | 0 | |a Абстракция,Божье присутствие,Иконография,Христианское искусство |
| STI | 0 | 0 | |a Αφαίρεση,Εικονογραφία,Παρουσία του Θεού,Χριστιανική τέχνη |
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