The sacred game: the role of the sacred in the genesis of modern literary fiction
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245 | 1 | 4 | |a The sacred game |b the role of the sacred in the genesis of modern literary fiction |c Cesáreo Bandera |
264 | 1 | |a University Park, Pa. |b Pennsylvania State Univ. Press |c 1994 | |
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500 | |a Includes bibliographical references (p. [303]-311) and index | ||
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787 | 0 | 8 | |i Rezensiert in |a Palaver, Wolfgang, 1958 - |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1995 |w (DE-627)1650133383 |w (DE-576)518920089 |
787 | 0 | 8 | |i Rezensiert in |a Manganiello, Dominic |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1997 |w (DE-627)1812918275 |
787 | 0 | 8 | |i Rezensiert in |a Sherrill, Rowland A. |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1996 |w (DE-627)1811646085 |
787 | 0 | 8 | |i Rezensiert in |a Ter Horst, Robert, 1929 - |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1995 |w (DE-627)1895370930 |w (DE-576)520078098 |
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787 | 0 | 8 | |i Rezensiert in |a McKenna, Andrew J. |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1995 |w (DE-627)1650137214 |w (DE-576)518931331 |
787 | 0 | 8 | |i Rezensiert in |a McKenna, Andrew J. |t [Rezension von: Bandera, Cesáreo, The sacred game : the role of the sacred in the genesis of modern literary fiction] |d 1995 |w (DE-627)1896620809 |
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LOK | |0 938 |l Review: Our modern era is still dominated by the belief that religion is a thing of the past. According to the well established secularization theory, modernization results in the decline of religion. The last decades, however, have shown us rather painfully that this modern belief is even empirically wrong. Fundamentalism, religious nationalism and religion in general have become more important in recent years. The humanities, especially sociology, were more or less unable to predict this rise of religious movements. Peter L. Berger even speaks of a complete failure of sociology in this regard. The reason for this failure is the humanities' believ in the secularization theory. Cesáreo Bandera's new book means hope for the humanities. Bandera, who is a Professor of Roman Languages, reconstructs the development of our modern world - the genesis of modern literary fiction in particular - without submitting to secularizatio theory. He insists, to the contrary, on the thesis "that there is no such thing as leaving the sacred entirely behind" (p.39). In a chapter on Marx he illustrates this thesis in a powerful way. Despite Marx's attempt to leave the sacred fully behind, his way of thinking remains governed by the logic of the sacred. Bandera uses the insights of René Girard's mimetic theory to explain this logic. According to Girard's theoretical approach, the sacred roots in the scapegoat mechanism, the sacrificial killing or expulsion of a victim. In Bandera's view, Marx's attempt to get rid of the sacred adheres to the sacrificial logic of the sacred. It is the sacrificial expulsion of the sacred and remains therefore in the realm of the sacred. Is therefore desacralization completely impossible? No, Bandera only shows that all violent ways to struggle against the sacred are futile and prolong the sacrificial world of the sacred. In his eyes it was the nonviolent spirit of Christianity that led to our desacralized modern world. Modern literature, to take Bandera's main example, was made possible by Christianity. At the basis of Bandera's study "lies the conviction that there is no such thing as a conflict between Christianity and a purely 'secular', nonreligious man, but only between Christianity and the old sacred." (p.16) In the first half of his book Bandera introduces us into the frightening ambivalence of the sacred by dealing with Plato, Aritotle, and Virgil. These three thinkers help to understand our modern era if we focus on the way modern thinking went beyond them. In the case of Plato, Bndera concentrates on the sacrificial expulsion of the poets. He compares Plato's recommendation to expel the poets with the Renaissance moralist's "war against poetry" and shows the similarities between these two attitudes. At the same time, however, Bandera also makes clear that desacralization had already taken place at that time. The Inquisition, which - contrary to Plato's theoretical attempt - had the means to expel the poets, did not persecute poets. In the watchful eyes of the Inquisition poetry was not important enough. This marginality of poetry meant freedom and enabled poetry to reflect on itself. According to Bandera, it was the modern classic authors like Cervantes and Calderón who came closet to the spirit of Christianity that made this desacralization possible. Like the moralists they discovered the sacrificial character of poetry and theater, but unlike them they were not scandalized and reacted therefore in a nonsacrificial way: they were able to see the connection between their own "poetic fiction andn the sacrificial mechanism that lay at the root of human culture" (p.87). Although Aristotle did not - like Plato - recommend the expulsion of poetry, his thinking is rooted in the sacred, too. He is the perfect example of the sacrificial tendency of philosophy to expel the sacred by avoiding any contact with it. According to Bandera, Aristotle is "the best concealer of the old sacred" (p.107). The most impressive example in Bnadera's book is his chapter on Virgil. Bandera uncovers the sacrificial levels in Virgil's Aeneid, which is governed by the logic of the sacred: "One head will be given up for the sake of many." According to Bandera, Virgil knew the truth about the sacrificial foundation of the world, but lacking the nonsacrificial answer of Christianity he tried to conceal this truth. His poem is "a colossal, brilliant cover-up" (p.144). Bandera's main counterexample to the old world of the sacred is the vision of the great modern classic, especially the work of Cervantes and Calderón. They reveal that it is the faceless crows that persecutes the victim and focus on the individual member of the crowd to remind him of his responsibility. In accordance with the true spirit of Christianity they know that the desacralized modern world forces us to renounce the search for the victim altogether. In Bandera#'s eyes only this hope can "sustain the freedom of the modern poeet" (p.301). From the point of view of the history of ideas Bandera's chapter 5 "Historical Signposts" is the most important one. In this chapter he challenges Hans Blumenberg's thesis about the self-assertion of the modern age and shows that this thesis is built on the absence of the Cross. To understand the development of our modern desacralized world. Banderas recommends of focus on the Crucifixion, instead. Contrary to the majestic Jesus of Romanesque crucifixes, the spirituality of the devotio moderna emphasized the human sacrifice at the Cross and the suffering humanity of Christ at the end of the Middle Ages. This new perspective is the dawn of the modern era. It made modern individualism possible and it is also the root of modern liberal thinking. The emphasis on the individual is a system-breaking element that opens up every sacrificial system. This new view on the Crucifixion is the essential prelude to the nonsacrificial awareness of the great poetic masters like Cervantes and Calderón. Superficially Bandera's book looks like a contribution to the relationship between the sacred and modern literary fiction. It is, however, a book that goes far beyound that particular question. The Sacred Game is one of the most important books on secularization in general and will significantly change our old views on the development of our modern world. Hopefully it will be translated into other languages soon. [Author: Palaver, Wolfgang. In: Cov&R: Bulletin of the Colloquium on Violence & Religion no. 9 (October 1995): 10f.] |8 0 | ||
LOK | |0 938 |l Contents: Introduction 1 / 1. On "Sacred Allergy" in Its Modern Form 1 / 2. The Divine Comedy as a Contrasting Background 11 / 3. What Is the Sacred? 15 / 4. Christian Desacralization 24 / 5. Christianity and Modern Poetic Fiction 29 / 6. The Trajectory of This Book 37 / 1) BEYOND PLATO 43 / 1. Revisting Plato's Expulsion of the Poets and the Renaissance "War Against Poetry" 43 / 2. Plato's Sacred Anxiety 50 / 3. Similarities and Differences 63 / 4. The Role of Poetry in an Increasingly Desacralized Reality 72 / 2) BEYOND ARISTOTLE 89 / 1. The Questionable Influence of Aristotle's Poetics 89 / 2. The Old Science and the "Howls of Hungry Acheron" 97 / 3. The Poetics and the Sacred 105 / 4. The New Spirit of Science: Francis Bacon, the "Herald of the New Time" 114 / 5. Truth or Fiction: The New Dilemma of the Renaissance Theoretician 118 / 6. A Humble Way out of the Impasse 127 / 3) BEYOND VIRGIL 131 / 1.Changing Views on the Aeneid 131 / 2. Sacrificial Levels in Virgil's Poem 133 / 3. Palinuru's Deliberate Contradiction of Textual Evidence 141 / 4. The Shining and Deceiving Ivory Exit from Hell 145 / 5. The "Inane Fury" Between People Destined to Live in "Eternal Peace" 147 / 6. The End of the Poem and the Cry of the Victim 153 / 7. The Lucretian Model 155 / 8. Beyond the Howls of Acheron 166 / 4) BEYOND THE EPIC MODEL 175 / 1. The Historical Failure of the Epic 176 / 2. A "Burning Issue": The Mixture of Christian and Pagan Elements in the Epic 184 / 3. The Hesitation of the Best Epic Poets 189 / 4. Reviewing a Critical Commentary on the Orlando Furioso 193 / 5. From Tasso to Cervantes 197 / 6. The Existential Problematic of Calderonian Honor 204 / 5) HISTORICAL SIGNPOSTS 233 / 1. The Christian Threshold of the Modern Era 233 / 2. A Commentary on the Notion of "Self-Assertion" in Hans Blumenberg's The Legitimacy of the Modern Era 237 / 3. The Increasing Centrality of the Crucifixion in the Late Medieval Experience of the Sacred 245 / 4. The devotio moderna and the Non-Heroic Individual Before the World 248 / 5. The Emergence of the Non-Systemic and the "Open Society" 252 / A MARXIAN EPILOGUE 257 / Preliminary Remarks: Karl Popper's View of the Problem 257 / 1. The Parallel Between Religious and Economic Alienation 262 / 2. The "Metaphysical Subtleties and Theological Niceties" of Commodties 264 / 3. The Adversarial Relationship of the Elementary Form of Value 267 / 4. The "Exclusion" of One Commodity "from the Rest of All Other Commodities" 269 / 5. The Logic of Marx's Admiration for "the Brilliancy of Aristotle's Genius" 274 / 6. Human Consciousness and "The First Form of IDeologists, Priests" 282 / 7. From Theory to Practice: The Theoretical Demonstration ad hominem and the "Gripping of the Masses" 287 / 8. Comparing Marx, Virgil and the Great Modern Poets 295 / Select Bibliography 303 / Index 313. |8 0 | ||
LOK | |0 938 |l Dogmatik |8 0 | ||
LOK | |0 938 |l Palaver |8 1 | ||
LOK | |0 938 |l Bulletin 7 |8 2 | ||
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SYA | 0 | 0 | |a Girard, René Noël Théophile,1923-2015,Žurar, Rene,1923-2015 , Aristokles,v427-v347,Eflātun,v427-v347,Eflatun,v427-v347,Platonius,v427-v347,Platão,v427-v347,Platōnas,v427-v347,Platonas,v427-v347,Pseudo-Plato,v427-v347,Platao,v427-v347,Po-la-t'u,v427-v347,Bolatu,v427-v347,P'urat'on,v427-v347,P'ullat'o,v427-v347,P'ullat'on,v427-v347,Ps.-Platon,v427-v347,Pġaton,v427-v347,Plato,Atheniensus,v427-v347,Aflaṭôn,v427-v347,Aplaṭôn,v427-v347,Aflāṭūn,v427-v347,Platōn,v427-v347,Plato,Atheniensis,v427-v347,Plato,Athenensis,v427-v347,Plato,Philosophus,v427-v347,Platon,Philosoph,v427-v347,Platon,Sohn des Ariston,v427-v347,Platon,von Athen,v427-v347,Plato,von Athen,v427-v347,Plato,Philosoph,v427-v347,Platon,d'Athènes,v427-v347,Platon,dÁthènes,v427-v347,Platone,v427-v347,Pseudo-Platon,v427-v347 , Aristoteles,Stagirites,v384-v322,Aristoteles,Atheniensis,v384-v322,Aristoteles,Philosophus,v384-v322,Aristoteles,Pellaeus,v384-v322,Aristote,de Stagyre,v384-v322,Aristoteles,von Stagiros,v384-v322,Aristoteles,von Stageira,v384-v322,Aristoteles,Schüler Platons,v384-v322,Aristoteles,von Stageiros,v384-v322,Aristoteles,Philosoph,v384-v322,Aristoteles,Stagirita,v384-v322,Arystoteles,v384-v322,Arestoteles,v384-v322,Arasṭū,v384-v322,Aristū,v384-v322,Arisṭū,v384-v322,Arisṭāṭālīs,v384-v322,Aristotelʹ,v384-v322,Yalishiduode,v384-v322,Aristoteles,Stagyrites,v384-v322,Aristoteles,de Stagyre,v384-v322,Aristotelus,v384-v322,Pseudo Aristotele,v384-v322,Pseudo Aristóteles,v384-v322,Ps-Aristoteles,v384-v322,Pseudoaristoteles,v384-v322,Aristóteles,v384-v322,Aristotelis,v384-v322,Aristüţālis,v384-v322,Aristotelēs,v384-v322,Arisṭūṭālīs,v384-v322,Aristotel,v384-v322,Aristote,v384-v322,Aristotle,v384-v322,Aristotele,v384-v322,Pseudo-Aristote,v384-v322,Pseudo-Aristotele,v384-v322,Aristotile,v384-v322,Aristòtil,v384-v322,Pseudo-Aristoteles,v384-v322 , Vergil,v70-v19,Virgil,v70-v19,Vergill,v70-v19,Veržiliu,v70-v19,Virgill,v70-v19,Virgille,v70-v19,Virgilius,Maro,v70-v19,Virgilius Maro,v70-v19,Virgile,Maron,v70-v19,Virgilio Mantoano,v70-v19,Uergilius,v70-v19,Virjile",v70-v19,Wirgiliusz,v70-v19,Wergiljusz,v70-v19,P.V.M.,v70-v19,P. V. M.,v70-v19,Pub.V.M.,v70-v19,Pseudo-Virgilio,v70-v19,V. M., P.,v70-v19,Vergile Maron, Publius,v70-v19,Vergilius, Augusteus,v70-v19,Vergilius, Publius Maro,v70-v19,Vergilius Maro, Pub.,v70-v19,Virgile de Mantove, Publius,v70-v19,Virgile de Mantoue, Publius,v70-v19,Virgile, Publius,v70-v19,Virgilius Maro, Publius,v70-v19,Virgilius Maro, P.,v70-v19,Virgilius, Joannes de,v70-v19,Virgilius, Johann de,v70-v19,Birgilios Maro, Publios,v70-v19,Maro, P. Vergilius,v70-v19,Maro, Virgilius,v70-v19,Marone, Publio V.,v70-v19,Marone, P. Virgilio,v70-v19,Maroo, Publius Virgilius,v70-v19,Mar., Publ. Virgilius,v70-v19,Wergilius Maro, Publius,v70-v19,Wergiliusz Maro, Publiusz,v70-v19,Wergiliusz,v70-v19,Wirgilius Maro, Publius,v70-v19,Wirgiliusz Maro, Publiusz,v70-v19,Wirgiliusz Maron, Publiusz,v70-v19,Virgilio Maro, Publico,v70-v19,Vergilius Maro,v70-v19,Vergilius,Maro,v70-v19,Vergilius,Poeta,v70-v19,Vergilius,von Andes,v70-v19,Vergilius,von Mantua,v70-v19,Vergilio,v70-v19,Vergilius,Poet,v70-v19,Virgilius,v70-v19,Virgile,d'Andes,v70-v19,Maro,v70-v19,Maron,v70-v19,Vergilius, Publius M.,v70-v19,Vergilius, Publius,v70-v19,Vergilius-Maro, Publius,v70-v19,Virgilio Marone, Publius,v70-v19,Virgilio Marone, Publio,v70-v19,Virgilius Maroos, Publius,v70-v19,Virgilius, Publius,v70-v19,Maro, Publius Vergilius,v70-v19,Maro, Publius V.,v70-v19,Virgilio Maron, Publio,v70-v19,Virgil,v70-v19,Vergilius Maro, P.,v70-v19,Maro, Vergilius,v70-v19,Marone, Publio Virgilio,v70-v19,Vergil,v70-v19,Pseudo-Vergilius,v70-v19,Vergilius,v70-v19,Virgilio,v70-v19,Virgile,v70-v19,Virgilio Marón, Publio,v70-v19,Vergilije Maron, Publije,v70-v19,Marone, Virgilio,v70-v19,Vergilijus,v70-v19 , Marx, Karl H.,1818-1883,Marx, Karel,1818-1883,Marx, K.,1818-1883,Marx,1818-1883,Ma, Kesi,1818-1883,Mảc, Cảc,1818-1883,Mac, Cac,1818-1883,Mảc, C.,1818-1883,Makesi,1818-1883,Marḳs,1818-1883,Marḳs, Ḳarl,1818-1883,Marks,1818-1883,Malg-seu,1818-1883,Malg,1818-1883,Marqs, Qarl,1818-1883,Malg-seu, Kal,1818-1883,Maksŭ, K'al,1818-1883,Ma-k'o-ssu,1818-1883,Ma-ko-szū,1818-1883,Maksŭ,1818-1883,Mác, Các,1818-1883,Các Mác,1818-1883,Markhsi, Karl,1818-1883,Marks, Karolo,1818-1883,Mārks, Kārl,1818-1883,Mārks, Kāṟal,1818-1883,Mārksa, Kārla,1818-1883,Marksas, Karolis,1818-1883,Marksi, Karl,1818-1883,Marŭk'ŭsŭ, K'al,1818-1883,Marukusu,1818-1883,Mārkacha, Kārla,1818-1883,Markss, Kārlis,1818-1883,Markss, K.,1818-1883,Ka er Ma ke si,1818-1883,Kaer-Makesi,1818-1883,Makesi, Kaer,1818-1883,Marukusu, Kāru,1818-1883,Marx, Carlos,1818-1883,Marks, K.,1818-1883,Marḳs, Ḳarl,1818-1883,Marksas, K.,1818-1883,Marx,1818-1883,MŚarks, KŚarl,1818-1883,Marx, Heinrich Karl,1818-1883,Marks, Karol,1818-1883,Marx, Károly,1818-1883,Marx, Carl,1818-1883,Marx, Carlo,1818-1883,Marks, Karl,1818-1883,Marksa, Karla,1818-1883,Mārakasa, Kārala,1818-1883,Marx, Carolus Henricus,1818-1883,Ma leu keu seu, Ka leul,1818-1883,Maleukeuseu, Kaleul,1818-1883,Maarkis, Kaaral,1818-1883,Ka leul Ma leu keu seu,1818-1883,Marx, Karl Heinrich,1818-1883,Malg seu,1818-1883 , Blumenberg, Chans,1920-1996,Burūmenberuku, Hansu,1920-1996,Blûmenberg, Hans,1920-1996,Bljumenberg, Hans,1920-1996,Han si Bu lu men bo ge,1920-1996,Hansi-Bulumenboge,1920-1996,Bulumenboge, Hansi,1920-1996,Mplumenmpernk, Chans,1920-1996,Colly, Axel,1920-1996,Blumenberg, Hans Josef Konrad,1920-1996 |
SYE | 0 | 0 | |a Religion,Mystik,Mythologie , Literatur , Philosophy,Philosophieren , Weibliche Heilige,Heilige Frau,Heiliggesprochene Frau,Heilig gesprochene Frau , Moderne Literatur,Modernismus |
SYG | 0 | 0 | |a Belletristik,Dichtung,Literarisches Kunstwerk,Schöne Literatur,Sprachkunst,Sprachliches Kunstwerk,Wortkunst,Belletristik,Dichtung,Schöne Literatur,Sprachkunst,Wortkunst , Religion,Mystik,Mythologie , Heiliges , Belletristik,Dichtung,Literarisches Kunstwerk,Schöne Literatur,Sprachkunst,Sprachliches Kunstwerk,Wortkunst,Belletristik,Dichtung,Schöne Literatur,Sprachkunst,Wortkunst |