Teología y liberación en el arte de Eduardo Kingman = Theology and Liberation in Eduardo Kingman’s Art
El presente estudio plantea que el arte puede ayudar en el proceso de salvación en su dimensión histórica. Para sostener este argumento, empieza definiendo el campo y la importancia de la estética teológica. Después, hace un análisis trascendental de la experiencia estética, con base en la obra del...
| Другие заглавия: | Theology and Liberation in Eduardo Kingman’s Art |
|---|---|
| Главный автор: | |
| Формат: | Электронный ресурс Статья |
| Язык: | Испанский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2020
|
| В: |
Theologica Xaveriana
Год: 2020, Том: 70 |
| Другие ключевые слова: | B
Beauty
B Transcendental Experience B Вид B Liberation Theology B Eduardo Kingman B Estética B Belleza B Aesthetics B Hans Urs Von Balthasar B Karl Rahner B Arte B Teología De La Liberación B Experiencia Trascendental |
| Online-ссылка: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a El presente estudio plantea que el arte puede ayudar en el proceso de salvación en su dimensión histórica. Para sostener este argumento, empieza definiendo el campo y la importancia de la estética teológica. Después, hace un análisis trascendental de la experiencia estética, con base en la obra del artista ecuatoriano Eduardo Kingman. Esta experiencia trascendental por medio del arte es interpretada luego en clave de liberación, para proponer que el arte es una praxis que puede ayudar en el proceso de liberación de los pobres y excluidos de la sociedad. Teológicamente hablando, el autor sugiere que es Dios quien actúa en el proceso de liberación por medio del arte. | ||
| 520 | |a This study suggests that art can help in the process of salvation in its historical dimension. To sustain this argument, it starts by defining the field and the importance of theological aesthetics. After that, the author makes a transcendental analysis of aesthetic experience, based on the work of the Ecuadorian artist Eduardo Kingman. Then, this transcendental experience through art is interpreted in terms of liberation in order to propose that art is a praxis that can help in the process of liberation of those who are poor and excluded from society. Theologically speaking, the author suggests, it is God who works in the process of liberation through art. | ||
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