In Search of Our Mothers’ Gardens: Alice Walker and the Analogical Imagination

In this essay I offer a criticism of David Tracy’s work, The Analogical Imagination, in Iight of my reading of Alice Walker’s fiction. I propose that Tracy’s analysis of the contemporary theological scene is flawed because his portrait of theology bypasses important aspects of liberation theology. I...

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Dettagli Bibliografici
Autore principale: Reineke, Martha J. (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: 1988
In: Philosophy & theology
Anno: 1988, Volume: 2, Fascicolo: 3, Pagine: 277-299
Accesso online: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)

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520 |a In this essay I offer a criticism of David Tracy’s work, The Analogical Imagination, in Iight of my reading of Alice Walker’s fiction. I propose that Tracy’s analysis of the contemporary theological scene is flawed because his portrait of theology bypasses important aspects of liberation theology. In particular, I suggest that despite Tracy’s rccognition of liberation theology, his work is imperiled by a residue of privilege that clings to his hermeneutic model of theology. As a consequence, opportunities for substantive dialogue with Iiberation theology are missed. The core of my criticism focuses on aspects of privilege that attend Tracy’s discussion of the religious classic. As I examine Alice Walker’s work. I suggest that Tracy would be disinclined to acccpt The Color Purple as a religious classic. His disinclination, I argue, may be attributed to three privileges: texts, time, and tradition. As I offer an alternative reading of the religious significance of The Color Purple, I suggest means by which explorations of a broader definition of “religious classic,” inclusive of works such as The Color Purple, might lead to productive dialogue between Tracy and liberation theologians. 
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