Belas recatadas e reprimidas: cristofascismo, horror social e controle do corpo feminino em Medusa = Beautiful, well-behaved, and submissive women: christofascism, social horror and control of the female body in Medusa
O artigo investiga a representação do fundamentalismo religioso no filme Medusa (2023), de Anita Rocha da Silveira, com foco no papel do neopentecostalismo evangélico na sociedade brasileira contemporânea. A análise explora como o filme utiliza elementos narrativos e estilísticos do cinema de horror...
| Subtitles: | Beautiful, well-behaved, and submissive women: christofascism, social horror and control of the female body in Medusa |
|---|---|
| Authors: | ; ; ; |
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
|
| In: |
Rever
Year: 2025, Volume: 25, Issue: 1, Pages: 29-45 |
| Further subjects: | B
Brazilian cinema
B Corpo feminino B Religião B monstruoso feminino B Religion B cristofascismo B horror social B Social horror B Christofascism B Cinema brasileiro B Brazilian neo-pentecostalism B Female body B Neopentecostalismo brasileiro |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a O artigo investiga a representação do fundamentalismo religioso no filme Medusa (2023), de Anita Rocha da Silveira, com foco no papel do neopentecostalismo evangélico na sociedade brasileira contemporânea. A análise explora como o filme utiliza elementos narrativos e estilísticos do cinema de horror para denunciar mecanismos de controle e vigilância sobre o corpo feminino, articulando conceitos como cristofascismo, feminino monstruoso e horror social. A análise fílmica revela como o filme critica as tentativas de controle do corpo feminino por grupos religiosos neopentecostais, que ganharam força política no Brasil, utilizando o horror social para expor tais mecanismos. | ||
| 520 | |a The article investigates the representation of religious fundamentalism in the film Medusa(2023) by Anita Rocha da Silveira, focusing on the role of neopentecostal evangelism in contemporary Brazilian society. The analysis explores how the film uses narrative and stylistic elements of horror cinema to denounce mechanisms of control and surveillance over the female body, articulating concepts such as christofascism, monstrous feminine, and social horror. The film analysis reveals how the film critiques attempts to control the female body by neopentecostal religious groups, which gained political power in Brazil, using social horror to expose such mechanisms. | ||
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