Afwesigheid van God en teenwoordigheid van "god(e)" in Hooglied

The absence of and the presence of “god(s)” in the Song of Songs The absence of the Israelite God in the Song of Songs is conspicuous. The poet of the Song is far too sophisticated to attribute this to a slip of the mind. Among many reasons offered for the absence of Israel’s societal stereotype of...

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Bibliographic Details
Main Author: Viviers, Hennie (Author)
Format: Electronic Article
Language:Afrikaans
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2008
In: HTS teologiese studies
Year: 2008, Volume: 64, Issue: 1, Pages: 447-460
Further subjects:B Philosophers
B Theology
B Practical Theology
B Ministers of Religion
B Ancient Semitic and Classical Languages
B Aspects of Religious Studies
B Theologians
B Netherdutch Reformed Church
B Scholars
B Sociology and Ethics
B Philosophy
Online Access: Volltext (kostenfrei)
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Parallel Edition:Non-electronic
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Summary:The absence of and the presence of “god(s)” in the Song of Songs The absence of the Israelite God in the Song of Songs is conspicuous. The poet of the Song is far too sophisticated to attribute this to a slip of the mind. Among many reasons offered for the absence of Israel’s societal stereotype of God, might the Song’s alternative views on gender relations, within a love setting, perhaps be a reason for prohibiting the “ultimate Patriarch” to interfere? Interestingly the Song contains quite a number of other notions of counter- intuitivity (= gods) confirming humans’ propensity, since early evolution, to create gods to fulfil certain needs. Although it is an ancient love-song the Song has much to offer on gender and god constructs and the implications thereof for the civilization of society today.
ISSN:2072-8050
Contains:Enthalten in: HTS teologiese studies
Persistent identifiers:DOI: 10.4102/hts.v64i1.36