El Ms. 270 de la Biblioteca Nacional de Madrid, ¿un misal aragonés del siglo XII-XIII?
The ms. 270 of the Biblioteca Nacional de Madrid is one of the most ancient missals of its collection. Despite of the limited number of formularies, it contains some elements interesting for a liturgical analysis. This article, on the grounds of the most ancient part of the manuscript (f. 1-37), tri...
| Главные авторы: | ; |
|---|---|
| Формат: | Электронный ресурс Статья |
| Язык: | Каталанский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2014
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| В: |
Miscel·lània litúrgica catalana
Год: 2014, Том: 22, Страницы: 219-254 |
| Online-ссылка: |
Volltext (kostenfrei) |
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| 520 | |a The ms. 270 of the Biblioteca Nacional de Madrid is one of the most ancient missals of its collection. Despite of the limited number of formularies, it contains some elements interesting for a liturgical analysis. This article, on the grounds of the most ancient part of the manuscript (f. 1-37), tries to place this liturgical source in the ecclesiastical peninsular frame and, as far as possible, determine its probably aragonese origin. For this purpose its affinity with different sacramentaries, particularly from the Pyrenaic area, is studied. The importance of its musical repertory is also considered from a paleographical and melodical perspective. | ||
| 520 | |a Amb la signatura ms. 270, la Biblioteca Nacional de Madrid registra un dels missals més antics del seu fons de manuscrits. Malgrat el seu limitat nombre de formularis, conté elements interessants per a la seva anàlisi litúrgica i musical. En aquest article, partint de la part més antiga del manuscrit (f. 1-37), s'intenta situar aquesta font litúrgica en el mapa eclesiàstic peninsular i, en la mesura del possible, verificar el seu probable origen aragonès. Per això s'estudia la seva afinitat amb diferents sacramentaris i missals, especialment de l'àmbit pirenaic. També es té present la importància de l'estudi del seu repertori musical des de la perspectiva paleográfica i melòdica. | ||
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