The Sound of Metaphysical "Being": Ontological Dichotomy in the Works of Musico-Philosophical Writers Fyodor Dostoevsky and Anthony Burgess

This article investigates the “musico-philosophical” perspectives of the nineteenth-century Russian novelist Fyodor Mikhailovich Dostoevsky (1821–1881) and the twentieth-century British writer and musician Anthony Burgess (1917–1993). In this study, I revisit and expand upon issues raised in my past...

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Bibliographic Details
Main Author: Dryden, Izumi (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2023
In: Anthropoetics
Year: 2023, Volume: 29, Issue: 1
Further subjects:B Mozart
B 1985
B Wagner
B Burgess
B Dostoevsky
B Music
B Girard
B Beethoven
B Bakhtin
B Notes from Underground
B Geese
B Dante
Online Access: Volltext (kostenfrei)
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Summary:This article investigates the “musico-philosophical” perspectives of the nineteenth-century Russian novelist Fyodor Mikhailovich Dostoevsky (1821–1881) and the twentieth-century British writer and musician Anthony Burgess (1917–1993). In this study, I revisit and expand upon issues raised in my past three presentations at Generative Anthropology Summer Conferences in 2021, 2022, and 2023. I consider the ways in which music operates metaphysically and allows for the exploration of ontological dichotomy­––the tensions caused by ultimate existential questions––through the “musico-philosophical” convergence of musical features and philosophical reflection in selected works of imaginative literature by Dostoevsky and Burgess.
Physical Description:23
ISSN:1083-7264
Contains:Enthalten in: Anthropoetics