Disorienting "Western" Viewers with Nacer Khemir’s Desert Trilogy
In this essay, I explore tensions that arise when creating alternative cinematic visions of Muslim life, specifically frictions emerging from the goal of shifting public perception of the community and patterns of self-orientalization. Here, I complicate assumptions about the representation of Islam...
| Autore principale: | |
|---|---|
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2025
|
| In: |
Journal for religion, film and media
Anno: 2025, Volume: 11, Fascicolo: 2, Pagine: 109-124 |
| Altre parole chiave: | B
Nacer Khemir
B LE COLLIER PERDU DE LA COLOMBE (THE DOVE’S LOST NECKLACE, Nacer Khemir, TN / FR 1991) B Islam B Morocco B LES BALISEURS DU DÉSERT (WANDERERS OF THE DESERT, Nacer Khemir, TN / FR 1984) B Desert Trilogy B Orientalism B Sufism B Tunisia B IR / CH 2005) / BAB’AZIZ: LE PRINCE QUI CONTEMPLAIT SON ÂME (BAB’AZIZ: THE PRINCE WHO CONTEMPLATED HIS SOUL, Nacer Khemir, TN / FR |
| Accesso online: |
Volltext (kostenfrei) Volltext (kostenfrei) |
