The Materiality of Incorruption: From "Miraculous Bodies" to "Bodies on Display" in Nineteenth- and Twentieth- Centuries Italy

This article examines incorrupt bodies in the nineteenth- and early twentieth-century Italian Catholic context, focusing on the founders of new religious institutes. The aim is not to analyse the supernatural phenomenon itself but rather to understand the dynamics that led certain bodies to be perce...

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Autore principale: Rossi, Leonardo 1989- (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: 2025
In: Svensk teologisk kvartalskrift
Anno: 2025, Volume: 101, Fascicolo: 3, Pagine: 271-286
(sequenze di) soggetti normati:B Chiesa cattolica / Italia / Corpo / Incorruttibilità / Significato
Notazioni IxTheo:CB Esistenza cristiana
KAH Età moderna
KAJ Età contemporanea
KBJ Italia
KDB Chiesa cattolica
Accesso online: Accesso probabilmente gratuito
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520 |a This article examines incorrupt bodies in the nineteenth- and early twentieth-century Italian Catholic context, focusing on the founders of new religious institutes. The aim is not to analyse the supernatural phenomenon itself but rather to understand the dynamics that led certain bodies to be perceived as religiously significant and thus displayed for veneration by the faithful. It identifies four key phases: (1) the legal and conceptual transformation of the deceased into religious objects; (2) the embodiment of the founder's charisma and communal identity, creating ‘cultural capital’; (3) the canonisation process, including exhumations and examinations; and finally (4) the "making of incorruption" that is the procedure aimed at publicly displaying the remains. The article concludes that the perception of miracles and the creation of beliefs surrounding them are more important than the state of preservation of the corpses. The cases analysed demonstrate that behind the display of incorrupt bodies lies not merely a presumed posthumous miracle but a social construction of religious meanings. 
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