Quasi-Feminism and Identity Exploration in the film Laapata Ladies
The film Laapata Ladies (2024), directed by Kiran Rao, is a social commentary revolving around misogyny and the socio-cultural barriers faced by women in rural India, serving as a brilliant ode to womanhood and conveying its message effectively without any melodrama, thereby reflecting social realit...
| Autori: | ; |
|---|---|
| Tipo di documento: | Elettronico Review |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2025
|
| In: |
The journal of religion and film
Anno: 2025, Volume: 29, Fascicolo: 2, Pagine: 1-8 |
| Altre parole chiave: | B
women empowerment
B quasi-feminism B laapata ladies B Recensione |
| Accesso online: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a The film Laapata Ladies (2024), directed by Kiran Rao, is a social commentary revolving around misogyny and the socio-cultural barriers faced by women in rural India, serving as a brilliant ode to womanhood and conveying its message effectively without any melodrama, thereby reflecting social realities at a ground level. The film explores the protagonists' inner dilemmas, constraints, struggles, and hardships, advocating the cause for inclusivity from a quasi-feminist perspective, poignantly urging us to re-examine our perspectives and stirring conversations around the need for women to establish their own identities, away from the standard kaleidoscope of the male gaze. | ||
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