Enlightenment Through Film: Why Has Bodhi-Dharma Left for the East?
Through its mandala-like structure, Why Has Bodhi-Dharma Left for the East? (Korea, 2007) provides a kind of Enlightenment experience to the spectator. Like the mandala, Bodhi-Dharma has a symbol of the Truth at its center. Around this center are three interdependent narratives of a Zen Master, a mo...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2010
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| Στο/Στη: |
The journal of religion and film
Έτος: 2010, Τόμος: 14, Τεύχος: 1 |
| Διαθέσιμο Online: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Σύνοψη: | Through its mandala-like structure, Why Has Bodhi-Dharma Left for the East? (Korea, 2007) provides a kind of Enlightenment experience to the spectator. Like the mandala, Bodhi-Dharma has a symbol of the Truth at its center. Around this center are three interdependent narratives of a Zen Master, a monk, and an orphan boy, corresponding to the concentric graduated circles found in most mandalas. Also like the mandala, the film is unified by a multiplicity of motifs. |
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| ISSN: | 1092-1311 |
| Περιλαμβάνει: | Enthalten in: The journal of religion and film
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| Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.14.01.04 |
