The Virgin Mary on Screen: Mater Dei or Just a Mother in Guido Chiesa’s Io Sono con Te (I Am with You)

Guido Chiesa’s Io Sono con Te (I Am with You) offers a unique, albeit controversial take on Mary, the mother of Jesus. Filmed in Tunisia, and subject to criticism by Italian Catholic authorities and film critics alike, Io Sono con Te presents a rich anthropological-theological reflection on religion...

ver descrição completa

Na minha lista:  
Detalhes bibliográficos
Authors: Johnson, Timothy J. 1953- (Author) ; Ottaviani-Jones, Barbara (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Journals Online & Print:
Carregar...
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: 2014
Em: The journal of religion and film
Ano: 2014, Volume: 18, Número: 1
Outras palavras-chave:B Patriarchy
B Mary of Nazareth
B Guido Chiesa
B Biblical Studies
B Filme
B Sacrifice
B Motherhood
B Rene Girard
B Italian Cinema
Acesso em linha: Volltext (kostenfrei)
Volltext (kostenfrei)
Descrição
Resumo:Guido Chiesa’s Io Sono con Te (I Am with You) offers a unique, albeit controversial take on Mary, the mother of Jesus. Filmed in Tunisia, and subject to criticism by Italian Catholic authorities and film critics alike, Io Sono con Te presents a rich anthropological-theological reflection on religion, culture, gender, and sacrifice. Not surprisingly, Chiesa draws on René Girard’s scapegoat theory throughout his film as he fashions Mary as the forceful protagonist in a familiar yet controversial story.
ISSN:1092-1311
Obras secundárias:Enthalten in: The journal of religion and film
Persistent identifiers:DOI: 10.32873/uno.dc.jrf.18.01.48