The Meaning of the Steps is in Between: Dancing and the Curse of Compliments
This paper shows how Yolngu dancing embodies statements about being-in-the-world and being-with-others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2000
|
| Dans: |
The Australian journal of anthropology
Année: 2000, Volume: 11, Numéro: 2, Pages: 274-286 |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
| LEADER | 00000naa a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1937592057 | ||
| 003 | DE-627 | ||
| 005 | 20251002055805.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 251002s2000 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1111/j.1835-9310.2000.tb00043.x |2 doi | |
| 035 | |a (DE-627)1937592057 | ||
| 035 | |a (DE-599)KXP1937592057 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 1 |2 ssgn | ||
| 100 | 1 | |a Tamisari, Franca |e VerfasserIn |4 aut | |
| 245 | 1 | 4 | |a The Meaning of the Steps is in Between: Dancing and the Curse of Compliments |
| 264 | 1 | |c 2000 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a This paper shows how Yolngu dancing embodies statements about being-in-the-world and being-with-others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’, the paper argues that the meaning of Yolngu dancing is between the steps, between the performers and other participants in a ceremony—in the empathic space one enters through dancing. Empathy, both in the context of Yolngu performance and of engagement in fieldwork, is thus a modality of co-presence and co-presencing, an encounter at a level of intensity which opens the way to an ever-deepening involvement with others. | ||
| 773 | 0 | 8 | |i Enthalten in |t The Australian journal of anthropology |d Malden, MA : Wiley-Blackwell, 1990 |g 11(2000), 2, Seite 274-286 |h Online-Ressource |w (DE-627)341898244 |w (DE-600)2069565-2 |w (DE-576)254422004 |x 1757-6547 |7 nnas |
| 773 | 1 | 8 | |g volume:11 |g year:2000 |g number:2 |g pages:274-286 |
| 856 | 4 | 0 | |u https://doi.org/10.1111/j.1835-9310.2000.tb00043.x |x Resolving-System |z lizenzpflichtig |3 Volltext |
| 856 | 4 | 0 | |u https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1835-9310.2000.tb00043.x |x Verlag |z lizenzpflichtig |3 Volltext |
| 912 | |a NOMM | ||
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4779718287 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1937592057 | ||
| LOK | |0 005 20251002055805 | ||
| LOK | |0 008 251002||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2025-08-18#8FEA1A016F67CD52A97B8AC479E099D0F6779D96 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixrk |a ixzs |a zota | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
