The lotus painting on the manuscripts: a study of pictographic punctuation marks in Dunhuang manuscripts
In Dunhuang Buddhist manuscripts, various punctuation marks, some intuitive and figurative, were used by people of the time. These marks serve both philological and iconographic functions, closely related to the daily lives of their creators. They can be categorized into two types based on religious...
| Άλλοι τίτλοι: | New Perspectives on the Localization and Globalization of Buddhism in Medieval China and Beyond |
|---|---|
| Κύριος συγγραφέας: | |
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2024
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| Στο/Στη: |
Studies in Chinese Religions
Έτος: 2024, Τόμος: 10, Τεύχος: 3/4, Σελίδες: 475-495 |
| Άλλες λέξεις-κλειδιά: | B
artistic aesthetics
B philological symbols B knowledge construction B Dunhuang |
| Διαθέσιμο Online: |
Volltext (lizenzpflichtig) |
