What Is the Self? Imitation and Subjectivity in Blaise Pascal's Pensées
I aim to develop a fully theological, yet still Pascalian account of human subjectivity. Exegetically, I argue that the Pensées themselves present two such accounts. The first account is a portrait of fallen subjectivity, selfhood under the reign of sin. The second account is a portrait of authentic...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2010
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| В: |
Modern theology
Год: 2010, Том: 26, Выпуск: 3, Страницы: 417-436 |
| Online-ссылка: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a I aim to develop a fully theological, yet still Pascalian account of human subjectivity. Exegetically, I argue that the Pensées themselves present two such accounts. The first account is a portrait of fallen subjectivity, selfhood under the reign of sin. The second account is a portrait of authentic subjectivity. This latter account is explicitly Christological and even Trinitarian. Constructively, I argue that Pascal's two accounts show that our subjectivity is performative and imitative: whether under sin or under grace, to be a self is to imitate God. | ||
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