Heinrich Scholz und die religiöse Musik
The present paper provides a first survey of the traces that religious music left in the writings of Heinrich Scholz. It is shown that Scholz used to allude to European classical music, in particular church music, throughout his life as a means of communication, and that a small early monograph by S...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
|
| In: |
NTT
Year: 2025, Volume: 79, Issue: 2, Pages: 180-197 |
| Further subjects: | B
Church Music
B religious music B aesthetics of music B Johannes Brahms B Friedrich Schleiermacher B Religion B Heinrich Scholz B Johann Sebastian Bach B Ludwig van Beethoven B Dmitri Bortjanski B Richard Wagner B Eduard Hanslick |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a The present paper provides a first survey of the traces that religious music left in the writings of Heinrich Scholz. It is shown that Scholz used to allude to European classical music, in particular church music, throughout his life as a means of communication, and that a small early monograph by Scholz on church music deserves to be taken seriously as a text on the aesthetics of music, in which Scholz tries to combine Eduard Hanslick’s philosophy of music with Friedrich Schleiermacher’s concept of religion. | ||
| 601 | |a Scholz, Heinrich | ||
| 650 | 4 | |a Dmitri Bortjanski | |
| 650 | 4 | |a Eduard Hanslick | |
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| 650 | 4 | |a Heinrich Scholz | |
| 650 | 4 | |a Johann Sebastian Bach | |
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| 650 | 4 | |a Religion | |
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