Heinrich Scholz und die religiöse Musik
The present paper provides a first survey of the traces that religious music left in the writings of Heinrich Scholz. It is shown that Scholz used to allude to European classical music, in particular church music, throughout his life as a means of communication, and that a small early monograph by S...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Немецкий |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2025
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| В: |
NTT
Год: 2025, Том: 79, Выпуск: 2, Страницы: 180-197 |
| Другие ключевые слова: | B
Church Music
B religious music B aesthetics of music B Johannes Brahms B Friedrich Schleiermacher B Религия B Heinrich Scholz B Johann Sebastian Bach B Ludwig van Beethoven B Dmitri Bortjanski B Richard Wagner B Eduard Hanslick |
| Online-ссылка: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Итог: | The present paper provides a first survey of the traces that religious music left in the writings of Heinrich Scholz. It is shown that Scholz used to allude to European classical music, in particular church music, throughout his life as a means of communication, and that a small early monograph by Scholz on church music deserves to be taken seriously as a text on the aesthetics of music, in which Scholz tries to combine Eduard Hanslick’s philosophy of music with Friedrich Schleiermacher’s concept of religion. |
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| ISSN: | 2590-3268 |
| Второстепенные работы: | Enthalten in: NTT
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| Persistent identifiers: | DOI: 10.5117/NTT2025.2.005.STRO |
