Remembering Paradises Lost in Call Me by Your Name and Portrait of a Lady on Fire
Both Call Me by Your Name (Luca Guadagnino, 2017) and Portrait of a Lady on Fire (Céline Sciamma, 2019) culminate in queer lovers’ separations, which prompt remembrances of paradises lost. This article explores how these two films tell their stories of queer love and loss through a series of religio...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2025
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| Em: |
Religion and the arts
Ano: 2025, Volume: 29, Número: 1/2, Páginas: 68-86 |
| Outras palavras-chave: | B
film studies
B Portrait of a Lady on Fire B queer memory B queer religion B Call Me by Your Name |
| Acesso em linha: |
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| 520 | |a Both Call Me by Your Name (Luca Guadagnino, 2017) and Portrait of a Lady on Fire (Céline Sciamma, 2019) culminate in queer lovers’ separations, which prompt remembrances of paradises lost. This article explores how these two films tell their stories of queer love and loss through a series of religious and philosophical negotiations. Reading these films together, this article contemplates how queer men and queer women re-member dominant religion and philosophy differently through the stories of themselves. | ||
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