Apocalypse Never: Tony Kushner’s "Angels in America" Counters the End of the World
Tony Kushner’s Pulitzer-prize winning play "Angels in America: A Gay Fantasia on National Themes" (1991-92) uses apocalyptic motifs—end times, revelation, angels, prophecy, new heaven—to analyze American politics. The two-part play laments political corruption and social cruelty while imag...
| Главный автор: | |
|---|---|
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2023
|
| В: |
Annali di storia dell' esegesi
Год: 2023, Том: 40, Выпуск: 1, Страницы: 189-212 |
| Нормированные ключевые слова (последовательности): | B
Kushner, Tony 1956-
/ Kushner, Tony 1956-, Angels in America
/ Конец света (мотив)
/ LGBT
|
| Индексация IxTheo: | FD Контекстуальное богословие |
| Другие ключевые слова: | B
Tony Kushner
B American Politics and the Bible B Apocalypse B Angels in America B Gay Culture B LGBTQ Literature |
| Online-ссылка: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Tony Kushner’s Pulitzer-prize winning play "Angels in America: A Gay Fantasia on National Themes" (1991-92) uses apocalyptic motifs—end times, revelation, angels, prophecy, new heaven—to analyze American politics. The two-part play laments political corruption and social cruelty while imagining the emergence of an all-inclusive, multiracial, multiethnic polis in which unlikely partners achieve unity across difference in a utopian community of care. Kushner’s uses of apocalyptic demonstrate that the genre offers religious and secular authors alike a powerful symbolic vocabulary for political discourse. In the United States, apocalypse tropes are often made to serve conservative or reactionary political agendas, but Kushner’s play illuminates the progressive potential of the ancient text’s visual language; "Angels in America" exemplifies a variation of the genre theologian Catherine Keller calls "counter-apocalypse". | ||
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