Narrative Illustration and Theological Exposition in Medieval Art
This paper deals with a particular narrow aspect of biblical learning, as it appears to have impinged on art some considerable time before 1500. If the material which I have proposed as my subject has relevance to the theme of Religion and Humanism it may be, in the first place, by reminding us that...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
1981
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| Dans: |
Studies in church history
Année: 1981, Volume: 17, Pages: 19-36 |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | This paper deals with a particular narrow aspect of biblical learning, as it appears to have impinged on art some considerable time before 1500. If the material which I have proposed as my subject has relevance to the theme of Religion and Humanism it may be, in the first place, by reminding us that we owe the preservation of many of these works of art to the scholars and clerics of the reformed establishment, men like archbishop Matthew Parker in the late sixteenth century, and even to thoroughly post-medieval practical scientists like Dr William Hunter. They found respectable homes in college or university bookcases for the disjecta membra of the old monastic and cathedral libraries. |
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| ISSN: | 2059-0644 |
| Contient: | Enthalten in: Studies in church history
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| Persistent identifiers: | DOI: 10.1017/S0424208400010238 |
