Women in Victorian Church Music: Their Social, Liturgical, and Performing Roles in Anglicanism
Musical outlets for English women in the medieval Church were generally restricted to convents, where they sang plain-song. Even female participation in liturgical plays like the Easter drama (with solo parts for the Marys at the Sepulchre) was normally not allowed. Singing in cathedral, collegiate,...
| 1. VerfasserIn: | |
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
1990
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| In: |
Studies in church history
Jahr: 1990, Band: 27, Seiten: 443-452 |
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| 520 | |a Musical outlets for English women in the medieval Church were generally restricted to convents, where they sang plain-song. Even female participation in liturgical plays like the Easter drama (with solo parts for the Marys at the Sepulchre) was normally not allowed. Singing in cathedral, collegiate, and major parish churches was limited to men and boys; in cathedral and collegiate foundations, only male singers could fulfil the statutory requirements of membership. The Henrician dissolution of religious houses thus put an effective musical damper on women in English church music for several years. (Abolition of chantry foundations in major parish churches, incidentally, caused the disbanding of most of the small parochial male choirs.) | ||
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