Writing the Sabbath: The Literature of the Nineteenth-Century Sunday Observance Debate
‘It was a Sunday evening in London, gloomy, close and stale.’ I This line from Charles Dickens’s Little Dorrit encapsulates the common view that the nineteenth-century Sabbath was a tedious, gloomy and tiresome institution that embodied the full weight of Victorian Britain’s old-fashioned, sombre an...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
2012
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| In: |
Studies in church history
Jahr: 2012, Band: 48, Seiten: 283-295 |
| Online-Zugang: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Zusammenfassung: | ‘It was a Sunday evening in London, gloomy, close and stale.’ I This line from Charles Dickens’s Little Dorrit encapsulates the common view that the nineteenth-century Sabbath was a tedious, gloomy and tiresome institution that embodied the full weight of Victorian Britain’s old-fashioned, sombre and somewhat hypocritical evangelical piety. Taking such contemporary portrayals at face value, historian John Wigley, whose thirty-year-old monograph remains the only full treatment of the subject, depicted the Victorian Sabbath as ‘a day which had a funereal character, notorious for its symbols - the hushed voice, the half-drawn blind and the best clothes’. Sabbatarianism, he argued, ‘appeared to consist of a perverse reluctance to enjoy oneself on Sundays and a determination to stop other people enjoying themselves too’. |
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| ISSN: | 2059-0644 |
| Enthält: | Enthalten in: Studies in church history
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| Persistent identifiers: | DOI: 10.1017/S0424208400001388 |
