Small town markets and crowded buses: Later-generation Australian–Hungarian ‘diaspora backpackers’ narrate their journey to Hungary
In this article, I examine the ‘homecoming’ experiences of young second- and third-generation Australian-Hungarians. The aim of the paper is to challenge the compartmentalisation of tourism and migration studies by exploring how these two phenomena intertwine, merge, and influence one another in mul...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2024
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| Em: |
The Australian journal of anthropology
Ano: 2024, Volume: 35, Número: 3, Páginas: 237-251 |
| Outras palavras-chave: | B
Ethnography
B Discourse B second-generation return B diaspora tourism B backpackers |
| Acesso em linha: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a In this article, I examine the ‘homecoming’ experiences of young second- and third-generation Australian-Hungarians. The aim of the paper is to challenge the compartmentalisation of tourism and migration studies by exploring how these two phenomena intertwine, merge, and influence one another in multiple and fluid ways. Specifically, I attempt to merge the two disciplines by analysing the meta-narratives that have influenced Australian-Hungarian youngsters' experiences in Hungary. In particular, I argue that, alongside images internalised in the diaspora, interlocutors heavily rely on a popular Western backpacker discourse. I demonstrate the ways in which these two meta-narratives are in conflict while at the same time closely inter-related. Specifically, I look at the ways in which the notion of authenticity and the idea of ‘traveller hierarchy’ are borrowed from backpacker discourse, and through them diasporic themes are targeted and deconstructed. I refer to these youngsters as ‘diaspora backpackers’ to indicate that their journeys are influenced by both diaspora life and contemporary youth culture. | ||
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