Subverting the Heroic through Humor: Dancing a Partition Narrative Vidushaka in Bharatanatyam
This article examines San Francisco-based Nava Dance Company's Broken Seeds Still Grow, a South Asian bharatanatyam production on "social" themes that highlights the traumas of the Partition of India and Pakistan with ongoing harms to immigrants in the United States. In utilizing the...
| Autore principale: | |
|---|---|
| Tipo di documento: | Stampa Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2024
|
| In: |
Concilium
Anno: 2024, Fascicolo: 5, Pagine: 106-115 |
| (sequenze di) soggetti normati: | B
Radcliffe, Cyril John Radcliffe 1899-1977
/ Britisch-Indien
/ Divisione
/ Geschichte 1947
/ Eroe (Motivo)
/ Clown (Motivo)
/ Bharatanatyam
/ Rappresentazione
/ Geschichte 2017
|
| Notazioni IxTheo: | AG Vita religiosa KBM Asia TK Età contemporanea ZC Politica generale |
| Altre parole chiave: | B
Dance
B Bharata Natyam |
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| 520 | |a This article examines San Francisco-based Nava Dance Company's Broken Seeds Still Grow, a South Asian bharatanatyam production on "social" themes that highlights the traumas of the Partition of India and Pakistan with ongoing harms to immigrants in the United States. In utilizing the contrasting aesthetic tropes of heroism (vira) and humor (hasya) during a dance sequence on Cyril Radcliffe, the British lawyer who spilt the subcontinent into two countries, the dancer's physical gestures common to this traditionally Hindu storytelling dance form are redirected to productively subvert the depiction of Radcliffe into a vidushaka, the fool/clown of Sanskrit theater. | ||
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