The Wasps’ Nest: Antisemitism, Conspiracy Theory, and The Prioress’s Tale
Conspiracy theories are not only forms of explanation. They are narratives designed to evoke emotional response. This essay reads the thirteenth-century Anglo-Norman "Hugo de Lincolnia" and The Prioress’s Tale as conspiracy theory narratives, examining how they use language and imagery to...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2021
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| Em: |
Studies in the age of Chaucer
Ano: 2021, Volume: 43, Número: 1, Páginas: 111-149 |
| (Cadeias de) Palavra- chave padrão: | B
Girard, René 1923-2015
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| Acesso em linha: |
Volltext (lizenzpflichtig) |
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| 520 | |a Conspiracy theories are not only forms of explanation. They are narratives designed to evoke emotional response. This essay reads the thirteenth-century Anglo-Norman "Hugo de Lincolnia" and The Prioress’s Tale as conspiracy theory narratives, examining how they use language and imagery to generate aesthetic emotions, especially fear and disgust. I argue that a focus on the conspiracies represented in these texts reveals connections both to other contemporary narratives and to a long tradition of antisemitic narrative that extends through The Protocols of the Elders of Zion to the global conspiracy theories of the early twenty-first century. | ||
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