The Allusive Art of Cormac McCarthy's The Orchard Keeper

Replete with echoes of poetry, drama, scripture, and the language of powerful novelistic forebears, Cormac McCarthy's first long fiction unfolds in prose that breathes literary tradition. Richly suggestive yet never pretentious, the author's allusions, whether direct or implied, frame and...

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书目详细资料
主要作者: Cowart, David 1947- (Author)
格式: 电子 文件
语言:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: 2021
In: The Arizona quarterly
Year: 2021, 卷: 77, 发布: 3, Pages: 27-54
在线阅读: Volltext (lizenzpflichtig)
实物特征
总结:Replete with echoes of poetry, drama, scripture, and the language of powerful novelistic forebears, Cormac McCarthy's first long fiction unfolds in prose that breathes literary tradition. Richly suggestive yet never pretentious, the author's allusions, whether direct or implied, frame and lend meaning to the rural comings and goings, the occasional violence, and the characteristic speech of The Orchard Keeper's East Tennessee milieu. As an important part of the sumptuous idiom in which McCarthy writes, allusion confers distinction on the story's unsophisticated characters and thereby delivers them from sociological, political, and even literary prejudice, not to mention the contumely of popular culture and urban manners. Attention to the allusive weave facilitates a comprehensive reading of McCarthy's novel, incidentally offering help with textual enigmas left unaddressed or unresolved or unnoticed in prior criticism.
ISSN:1558-9595
Contains:Enthalten in: The Arizona quarterly
Persistent identifiers:DOI: 10.1353/arq.2021.0015