Time Travel and Bodily Epistemology in Ava Duvernay’s SELMA (FR/UK/US 2014) and Haile Gerima’s SANKOFA (BF 1993)
This article explores the seminal films of two black filmmakers of different generations: Haile Gerima’s SANKOFA (BF 1993) and Ava DuVernay’s SELMA (FR/UK/US 2014). It suggests that in creating SELMA, DuVernay uses time travel and "bodily epistemology" (Lisa Woolfork) as first deployed by...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2024
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| In: |
Journal for religion, film and media
Year: 2024, Volume: 10, Issue: 2, Pages: 87-102 |
| Further subjects: | B
Slavery
B SANKOFA B Bloody Sunday B Civil Rights Movement B Black Film B Haile Gerima B Time Travel B SELMA B Ava DuVernay |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
