Franz Rosenzweig’s Account of Revelation in Light of Its Protestant Background

In the subsection "Grammar of Eros (The Language of Love)" in section 2 of book 2 of The Star of Redemption, the beating heart of the work, Franz Rosenzweig offers a peculiar portrait of the event of revelation. What is presented is a dramatization of the encounter between the loving God a...

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Autore principale: Herskowitz, Daniel M. 1987- (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: 2024
In: Harvard theological review
Anno: 2024, Volume: 117, Fascicolo: 3, Pagine: 583-606
(sequenze di) soggetti normati:B Rosenzweig, Franz 1886-1929, Der Stern der Erlösung / Rivelazione / Peccato / Redenzione / Giustificazione / Teologia evangelica / Ebraismo
Notazioni IxTheo:AX Relazioni interreligiose
BH Ebraismo
KDD Chiesa evangelica
NBB Rivelazione
NBE Antropologia
NBK Soteriologia
NBM Dottrina della giustificazione
TK Età contemporanea
Altre parole chiave:B Modern Jewish Thought
B Revelation
B Reconciliation
B Protestant Theology
B German Jews
B Redemption
B Jewish-Christian relations
Accesso online: Volltext (lizenzpflichtig)
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Descrizione
Riepilogo:In the subsection "Grammar of Eros (The Language of Love)" in section 2 of book 2 of The Star of Redemption, the beating heart of the work, Franz Rosenzweig offers a peculiar portrait of the event of revelation. What is presented is a dramatization of the encounter between the loving God and the beloved human soul, a developing scene consisting of a series of utterances and experiences, many of which appear unwarranted. Why does Rosenzweig present revelation in this manner? This article seeks to explain the seemingly arbitrary twists and turns in the dramatized "plot" through which Rosenzweig depicts revelation by demonstrating that it follows in its main features the prevalent Protestant understanding of revelation as encompassing not only divine self-disclosure but also the discovery of sin, confession, forgiveness of sin, reconciliation, attainment of selfhood, and redemption, and is framed according to the directives of the Lutheran foundational principle of "at once a sinner and justified (Simul Justus et Peccator). In so doing, it exhibits Rosenzweig’s deep embeddedness in the Protestant theological discourse of his time and shows that The Star should be understood in light of the contemporary Protestant theology.
ISSN:1475-4517
Comprende:Enthalten in: Harvard theological review
Persistent identifiers:DOI: 10.1017/S0017816024000233