The multiplicity of scripture: the making of the Antwerp polyglot Bible
"The Antwerp Polyglot Bible (1568-1573) was one of the most ambitious typographical enterprises of the sixteenth century, with editions of the ancient Hebrew, Aramaic, Syriac, Greek, and Latin versions together with new scholarly instruments necessary to study and compare them—yet powerful cont...
MARC
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| 109 | |a Dunkelgrün, Theodor 1976- | ||
| 245 | 1 | 4 | |a The multiplicity of scripture |b the making of the Antwerp polyglot Bible |c Theodor Dunkelgrün |
| 264 | 1 | |a Toronto |b PIMS, Pontifical Institute of Mediaeval Studies |c [2025] | |
| 264 | 4 | |c © 2025 | |
| 300 | |a xxv, 554 Seiten, 8 Seiten Tafeln |b Illustrationen |c 24 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
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| 490 | 1 | |a Studies and texts |v 234 | |
| 490 | 1 | |a Judaism in the medieval and early modern world |v 4 | |
| 500 | |a Literaturverzeichnis: Seite [473]-538 | ||
| 500 | |a Mit Register | ||
| 505 | 8 | |a A Brief History of Renaissance Biblical Scholarship -- Antwerp, Metropolis of the Early Modern World -- From Bomberg to Plantin: Printing Hebrew in Sixteenth-Century Europe -- Preparing a Polyglot -- Benito Arias Montano: The Education of a Spanish Humanist -- The Design of the Antwerp Polyglot Bible -- Defending the Hebrew Text -- A Treasure Whose Value No One Can Measure: Editing Aramaic at Antwerp. | |
| 520 | |a "The Antwerp Polyglot Bible (1568-1573) was one of the most ambitious typographical enterprises of the sixteenth century, with editions of the ancient Hebrew, Aramaic, Syriac, Greek, and Latin versions together with new scholarly instruments necessary to study and compare them—yet powerful contemporaries also perceived it as a threat to the Church. The Multiplicity of Scripture is the first book-length study of how the Antwerp Polyglot was made. Combining the history of the book with the history of scholarship and drawing on primary sources from archives and libraries across Europe, it reconstructs the editorial history of Christopher Plantin's masterpiece, telling a story of crisis and craftsmanship, of ink-stained proofs in four different alphabets, and of the extraordinary team of scholars and printers that created this monument of Renaissance printing and scholarly endeavour."-- | ||
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