Zeami's Buddhism and Noh in Kurosawa's Ikiru
This paper explores the influences of Noh drama theorist Zeami Motokiyo on Akira Kurosawa's 1952 film Ikiru. While Kurosawa's adaptations of traditional Japanese arts are well documented, this study uniquely demonstrates how specific Noh aesthetics shaped this film. It analyzes how Kurosaw...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2024
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| In: |
The journal of religion and film
Year: 2024, Volume: 28, Issue: 2, Pages: 1-43 |
| Further subjects: | B
yūgen
B Jishū B Akira Kurosawa B mushin B mujō B Zeami Motokiyo B Noh drama B Ikiru |
| Online Access: |
Volltext (kostenfrei) |
