The Becomings of a Mime: Dis/empowerment in Borges' "Emma Zunz"
In the short story "Emma Zunz," Borges depicts a character seeking revenge and justice, but to enact her clear, straightforward intentions, the eponymous protagonist must engage in a mirror game, a game of mimicry in which Emma Zunz reproduces diverse sources, creates an overlap, and in th...
| Autore principale: | |
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| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2023
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| In: |
MLN
Anno: 2023, Volume: 138, Fascicolo: 5, Pagine: 1481-1497 |
| (sequenze di) soggetti normati: | B
Mimesis
/ Girard, René 1923-2015
/ Borges, Jorge Luis 1899-1986
/ Omicidio
/ Deleuze, Gilles 1925-1995
/ Lacoue-Labarthe, Philippe 1940-2007
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| Altre parole chiave: | B
Emma Zunz <Jorge Luis Borges>
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| Accesso online: |
Volltext (lizenzpflichtig) |
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| 520 | |a In the short story "Emma Zunz," Borges depicts a character seeking revenge and justice, but to enact her clear, straightforward intentions, the eponymous protagonist must engage in a mirror game, a game of mimicry in which Emma Zunz reproduces diverse sources, creates an overlap, and in this manner undergoes a process of dis/empowerment. Her actions become overdetermined and acquire a multifaceted meaning, but lose its single, identifiable, and original intention. The murder, which as a single action should have completed her revenge, becomes part of a continuous unfolding of versions and subversions of the same event and, in this manner, reveals a narrative structure challenging the idea of an autonomous and self-contained rational subject. To shed light on the dis/empowerment ensuing when a character is described in terms of a potential to affect and be affected, my approach builds up on mimetic studies as well as on Deleuze's and Lacoue-Labarthe's reflections. | ||
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