"Mein Herze schwimmt im Blut": die Solokantate BW 199 von J.S. Bach als individuelles Klagelied in der Tradition der alttestamentlichen Klagepsalmen

The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is incr...

Полное описание

Сохранить в:  
Библиографические подробности
Главный автор: Lescow, Theodor (Автор)
Формат: Электронный ресурс Статья
Язык:Немецкий
Проверить наличие: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: 2004
В: Biblische Notizen
Год: 2004, Том: 121, Страницы: 95-102
Нормированные ключевые слова (последовательности):B Individuelle Klagelieder / Восприятие (мотив) / Bach, Johann Sebastian 1685-1750, Mein Herze schwimmt im Blut BWV 199.1
Индексация IxTheo:HB Ветхий Завет
RD Гимнология
Другие ключевые слова:B Bach, Johann Sebastian (1685-1750)
B Плач (пение)
B Музыка (мотив)
Online-ссылка: Volltext (kostenfrei)
Parallel Edition:Не электронный вид
Описание
Итог:The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is increasingly doubted. Despite the 2000 year interval and the completely different context of the prayer, cantata BW 199 is structured according to the same principle. This goes to prove that we are dealing here with a selfcontained, elementary prayer structure on which the process of prayer is based.
Доступ:[DE-21]Open Access
Второстепенные работы:Enthalten in: Biblische Notizen
Persistent identifiers:DOI: 10.71715/bn.v121i.97974