"Mein Herze schwimmt im Blut": die Solokantate BW 199 von J.S. Bach als individuelles Klagelied in der Tradition der alttestamentlichen Klagepsalmen

The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is incr...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteur principal: Lescow, Theodor (Auteur)
Type de support: Électronique Article
Langue:Allemand
Vérifier la disponibilité: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2004
Dans: Biblische Notizen
Année: 2004, Volume: 121, Pages: 95-102
Sujets / Chaînes de mots-clés standardisés:B Individuelle Klagelieder / Réception <scientifique> / Bach, Johann Sebastian 1685-1750, Mein Herze schwimmt im Blut BWV 199.1
Classifications IxTheo:HB Ancien Testament
RD Hymnologie
Sujets non-standardisés:B Bach, Johann Sebastian (1685-1750)
B Lamentation
B Musique
Accès en ligne: Volltext (kostenfrei)
Édition parallèle:Non-électronique
Description
Résumé:The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is increasingly doubted. Despite the 2000 year interval and the completely different context of the prayer, cantata BW 199 is structured according to the same principle. This goes to prove that we are dealing here with a selfcontained, elementary prayer structure on which the process of prayer is based.
Accès:[DE-21]Open Access
Contient:Enthalten in: Biblische Notizen
Persistent identifiers:DOI: 10.71715/bn.v121i.97974