Thalia's Revenge: Ethnography and Theory of Comedy
This article compares theories of comedy to the development of modern ethnography. The discussion begins with a review of 18th-century English satire, followed by commentary on the place of comedy in Western intellectual traditions. In considering the relationship between theories of comedy and mode...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Wiley-Blackwell
1989
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In: |
American anthropologist
Year: 1989, Volume: 91, Issue: 3, Pages: 589-598 |
IxTheo Classification: | NBE Anthropology ZB Sociology |
Further subjects: | B
Theater
B Girard, René (1923-2015) B Ethnology B Comedy |
Online Access: |
Volltext (lizenzpflichtig) |
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520 | |a This article compares theories of comedy to the development of modern ethnography. The discussion begins with a review of 18th-century English satire, followed by commentary on the place of comedy in Western intellectual traditions. In considering the relationship between theories of comedy and modern ethnography, I argue that the genres have in common the regular use of literary modes of exaggeration, exceptionality, reversal, and practice. These shared modes suggest similar critical intent. Recognizing a relationship between theories of comedy and modern ethnography adds to our appreciation of the plurality of the ethnographic endeavor. | ||
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STD | 0 | 0 | |a Commedia,Etnologia,Teatro,Teatro,Teatri |
STE | 0 | 0 | |a 剧场,剧院,喜剧,民族学 |
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