THE INFLUENCE OF TRADITIONAL CHINESE PHILOSOPHY ON PIANO PERFORMANCE AND PIANO EDUCATION

The current piano curriculum, according to conventional wisdom, is a product of the western music education system, which accords Chinese traditional culture with less importance. Most of the methods and tools used in today's collegiate piano programs are Western-based, often ignoring tradition...

Full description

Saved in:  
Bibliographic Details
Main Author: Qin, Yunyi (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham 2023
In: European journal for philosophy of religion
Year: 2023, Volume: 15, Issue: 3, Pages: 39-59
Further subjects:B Piano education
B Student's t-test
B traditional philosophy
B Chi-square test
B Chinese traditional culture
Online Access: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Description
Summary:The current piano curriculum, according to conventional wisdom, is a product of the western music education system, which accords Chinese traditional culture with less importance. Most of the methods and tools used in today's collegiate piano programs are Western-based, often ignoring traditional musical traditions. However, it is widely acknowledged that piano music plays a key role in the culture of music and that it is closely related to traditional culture and art. Examining the impact of Chinese traditional philosophy on collegiate piano instruction and performance is the main objective of the present research. The study makes use of an empirical method by conducting a survey and gathering information using a questionnaire. 174 students from six Chinese institutions participated in the current research. Students were split into two groups as a result of the training methodology. 87 students in the experimental group studied using a previously developed curriculum to advance Chinese traditional music culture, whereas 87 students in the control group took piano lessons using the standard curriculum. We used the student’s t-test and Chi-square test for statistical analysis. Since it demonstrates how traditional Chinese philosophy is successfully promoted in educational contexts, the present study is significant from both an academic and a practical standpoint.
Contains:Enthalten in: European journal for philosophy of religion
Persistent identifiers:DOI: 10.24204/ejpr.2023.3889