Enacting Ghosts, or: How to Make the Invisible Visible
In the Netherlands, there was always a clear distinction between Protestant and Catholic folklore. That is visible in witchcraft accusations, but it is also visible in ghost lore. This lore is here reconstructed applying a not always used source, to wit newspaper articles. Here, I will discuss how a...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2024
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| In: |
Religions
Year: 2024, Volume: 15, Issue: 8 |
| Further subjects: | B
Ghosts
B protestants B ghost hoaxes B Stories B Catholics |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a In the Netherlands, there was always a clear distinction between Protestant and Catholic folklore. That is visible in witchcraft accusations, but it is also visible in ghost lore. This lore is here reconstructed applying a not always used source, to wit newspaper articles. Here, I will discuss how accounts of hoaxing on the one hand and misinterpreted experiences on the other, help to understand how, in this case people in the Netherlands of roughly a century to a century and a half ago, realized their imagination of the dead. Not in a paradisical kind of afterlife, or as rotten corpses in the ground, but as specific entities which permeated the boundaries between the living and the dead. These newspaper reports are confronted with the stories (or jokes) collected by folklorists. I will also discuss content, with a special focus on the phenomenon of the hoax. Hoaxsters, however, allow the researcher to engage with an extra dimension in the encounter, between the ghost and the observer there is now a third party interacting with both. (How this involves the researcher, is always a problem in historical research.) Was there an overall ghost picture? What was the reaction of bystanders? Moreover, this essay will move between story and history, between the past as it was experienced and as it was related to contemporaries, between ‘fact’ and ‘fiction’ to give it another name. As it will appear, the boundary between the two seems blurred but in the end turns out rather precise. | ||
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